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Perambulations Through Late Georgian London or, All the Best Sights in One Week. Day One

In 1836 Nathaniel Whittock’s The Modern Picture of London, Westminster, and the Metropolitan Boroughs. Containing a correct description of the most interesting objects in every part of the Metropolis; forming a complete Guide and directory for the Stranger and Resident… was published by George Virtue & Co.

I have half a dozen late Georgian & Regency London guidebooks, but this, on the verge of Victoria’s reign, is the only one that sets out itineraries for the visitor as well as describing the various buildings, parks and institutions of the Capital. I thought it would be interesting to follow his advice, and visit London right at the end of the Georgian era.

Mr Whittock begins by discussing whether it is better to take lodgings or stay at a respectable inn (not a coaching inn, or the visitor will be constantly disturbed, day and night). He concludes that:

The visitor whose time is limited, will find it better to have lodgings without board, as he can take his meals at any time or place, according to his own convenience. The visitor to the metropolis, that has no particular friends to greet him on his arrival, and whose business will only allow him to devote a few days, to the survey of the architectural beauties and splendid exhibitions which surround him on all sides, on his arrival in London, will feel the necessity of so regulating his time, that he may see the various objects that are contiguous to each other on the same day; and, supposing him to have only a week that he can spare for this purpose, we will endeavour to point out the best mode of regulating his hours, so that he may have an opportunity of seeing the greatest number of objects within that time. We will therefore suppose the visitor to have taken apartments near Charing Cross.

In the…directions, it is supposed that the party is in the middle rank of life; the same route would be pointed out to those who kept a carriage, but they would, in consequence, be enabled to visit more objects in the same time, from the facility of conveyance from one place to another.

Monday

A crowded day first ending with a visit to the theatre.

The visitor is advised to commence his perambulation of the metropolis on Monday morning, at half-past nine o’clock.

He will have ample time to see Whitehall, the statue of King James behind it, the Horse Guards, and the Admiralty. 

The bronze statue of King James II now stands in front of the National Gallery. It was produced in the workshop of Grinling Gibbons and erected at the Palace of Whitehall in 1686, two years before James was deposed and fled the country. It stood behind the Banqueting House until 1898 when it was removed and spent some time being shuffled around the Capital before ending up in its present position in 1947. According to A Picture of London For 1807 it is ‘Superior to any statue in any public place in England.’

Walk into St. James’ Park, stand a few minutes to observe the military parade, which always takes place at ten o’clock.

Just such a parade can be seen in the print above of 1809, and one can still do this by walking into Horse Guards between the mounted sentries, under the arch and into Horse Guards Parade.

 Walk through the Park to Storey’s Gate (the point where Horse Guards Road now meets Birdcage Walk); thence, down Princes Street (now Storey’s Gate), and he will see Westminster Abbey, and the New Westminster Hospital, to the greatest advantage. 

The new Westminster Hospital opened in 1834 on the site now occupied by the Queen Elizabeth II Conference Centre. It was immediately struck by serious problems with its water closets and baths which failed to drain properly and caused frequent outbreaks of disease and a terrible stink.

Passing through St. Margaret’s church-yard (Above: Westminster Abbey with St Margaret’s church in front, seen from the north (1810)), he will observe the beautiful entrance to the north transept of the Abbey. The next object that will present itself, is the chapel of Henry VII., and he will arrive at Poet’s Corner at about half-past ten o’clock: the entrance to the Abbey will be open, and he will have an opportunity of hearing the cathedral service performed, and likewise of seeing the beautiful choir of the Abbey; the service is ended about eleven o’clock, and he can then survey every part of this venerable pile, which will occupy about an hour. 

This seems a very short time to view the Abbey! The visitors above, seen in 1805, appear to be taking rather more time to look around.

On leaving the Abbey, at half-past twelve, the stranger may cross the road, to the Houses of Lords and Commons and Westminster Hall, see the interior of them –

The greater part of the Houses of Parliament were destroyed by fire in October 1834, two years before the publication of this guidebook and the main text describes the makeshift debating chambers that had been made out of what remained. Westminster Hall survived the fire and was attached to the new Houses of Parliament when they were begun in 1840.  The watercolour of the House of Lords from Old Palace Yard, 1834, by Robert William Billings shows the devastation. (Parliamentary copyright)

and at one o’clock find himself on Westminster Bridge, surveying the buildings on the banks of the Thames. If this survey should engender historical reminiscences, the stranger would probably wish to visit the scene of Wolsey’s greatness, and the residence of the primate of England, Lambeth Palace; should he do so, he will find his time occupied till two o’clock. 

This image of 1784 shows Morton’s Tower, the entrance to the Palace with Westminster bridge (opened 1750) in the background.  The tower is instantly recognizable today, even though the embankment has been built up between it and the river and the traffic now thunders past on Lambeth Palace Road.

To get to Lambeth Palace at this time the visitor would either have to cross Westminster Bridge and travel south down the southern bank of the Thames or go down the northern bank and take the ferry across: there was no Lambeth Bridge until 1862.

On leaving the palace, if he continues down Canterbury Place, he will, in a short time, arrive at Bethlem Hospital; to some, the interior is interesting, if so, it will occupy half an hour.

This was the New Bethlem Hospital moved from Moorfields in 1815. It was closed in 1930 and the site became a park with the centre of the old building retained as the Imperial War Museum.

 Near the same spot, is the Asylum for the Deaf and Dumb,

This was a pioneering institution, founded in 1792 to educate two hundred children who, up until then, had been dismissed as ‘idiots’, incapable of learning or earning their living. They were taught lip-reading, reading, writing, arithmetic and useful trades. It lay between Mason Street and Townsend Street and its modern incarnation as The Royal School for Deaf Children moved to Margate in 1902.

the Philanthropic Asylum –

The Royal Philanthropic Society built the asylum in 1792 in an attempt to help the children of convicted criminals and street children who had resorted to begging or crime.

and other charitable foundations, the whole of which may be visited, and the party return home over Waterloo Bridge, (This was the original 1817 bridge. The present one was opened in 1942) observe the grand front of Somerset House, and arrive at their lodgings by half-past four o’clock, dine, and finish the day by visiting Drury Lane Theatre.

Hopefully the intrepid tourist was not so worn out by their hectic sightseeing that they could not appreciate the atmosphere at Drury Lane Theatre, shown here.

If you wish to follow this route yourself you will find more details in Walking Jane Austen’s London Walk 6 or Walks Through Regency London Walk 8. The area around the Asylum for the Deaf and Dumb is described in Driving Through Georgian Britain in the section on the Dover Road.

To be continued…

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The Road to Waterloo Week 13: War Is Declared at Last, the Prince Regent Builds and the Mob Protests

France was still in the grip of a miserable, cold, foggy Spring but Napoleon would have been encouraged by Britain’s reluctance to declare war, giving him more time to wrestle with his constitutional and political problems and continue to expand his army.
An insecure British government was facing Radical opposition within the Commons and on the streets, the economy was shaky and everyone was depressed by the weather. The price of bread was rising, the farmers were having a tough time because of the rain and the King’s health kept him out of the public eye – “his disorder continues without any sensible alteration,” according to the bulletins.

Carlton House detail
Only the Prince Regent seemed to be in a good mood – or perhaps he was keeping his spirits up with an orgy of lavish building works. A gothic-style dining room was added to Carlton House along with a library in the same style and a golden drawing room. Above is a detail of the Blue Velvet Room at Carlton House, a good example of the Regent’s lavish taste. At the same time John Nash was working on a “cottage” for the Regent in Windsor Great Park, a large and elaborate house the cottage orné style, with thatched roofs, verandas, and a conservatory. (It was demolished by William IV and the Royal Lodge now stands on the site). Nash was also working on further plans for the Pavilion at Brighton. Below is an example of the cottage orné style, although this is a much smaller example than Nash’s would have been. The drawing is from Ackermann’s Repository (November 1816)

cottage ornee
The Whigs were attacking the head of the diplomatic corps, Lord Castlereagh, and, through him the Congress of Vienna, dominated by Russia, Prussia and Austria who, they said, were a threat to independent nations. Vociferously led by Samuel Whitbread they argued that Napoleon had the support of the French people and it was wrong to go to war simply because Britain did not like him. Whitbread argued that the Emperor was now peace-loving, Castlereagh countered that once he had assembled 400,000 troops it would soon become apparent how peace-loving he was.
The harassed government was faced with mobs on the streets protesting about the Corn Law, the Income Tax, the slave trade and the Prince Regent’s extravagance, but they finally decided that Napoleon was secure on the French throne and that war was inevitable. The Allied Treaty, signed at Vienna on 25th March, was laid before the House at last – if Parliament ratified it, it became a declaration of war. It was approved in the Lords by 156 votes to 44 and in the Commons by 331 to 92 on 25th May. War was now inevitable, the only question was – when?
The firebrand Samuel Whitbread fell strangely silent after this, his place as the radical leader taken by Francis Burdett and Henry Hunt. Whitbread may have been in financial difficulty and earlier in the month he had resigned his management of Drury Lane Theatre, in which he had invested a great deal of money.
At Drury Lane on the 24th, there was a benefit performance by Edmund Kean, announced as a never-before performed tragedy by Shakespeare. The newspapers the next day were respectful of Kean, but sarcastic about the play.
“MR KEAN took his benefit last night. A tragedy by SHAKESPEARE – “never acted” had been announced as the performance of the evening; but “insurmountable difficulties” opposing the execution of this design, (no great wonder, bye the bye, for what play, undoubtedly SHAKESPEARE’S, can we at this time of day, take upon ourselves to assert, had never been acted?) the tragedy of the “Revenge”, was substituted, and MR KEAN appeared for the first time as the representative of Zanga.”

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