Tag Archives: Ackermann’s Repository

The Road to Waterloo: Week 17. The Battle is Fought, The Tourists Arrive, Napoleon Flees, The Regent Weeps

So much has been written – and is being written – about the battle of Waterloo itself that this post is not going to go into any details but will concentrate on what was known to be happening in London. (The detail below shows the fighting on the left wing of the battle.)
Waterloo left wing bottom strip
On the 18th Londoners were going about their normal Sunday business – attending church, followed, for the gentlemen, by reading the papers which had no up-to-date news from Flanders.

Readers could safely turn to lighter matters such as the report in t Marriages column: “Some days ago, at Gretna Green, Capt. Bontein, of the Life Guards, son of Sir G.B. to the daughter of Sir E. Stanley. The parties rode out from Lady Bontein’s to take an airing before dinner; they took post-chaise and four at Barnet, and proceeded to Gretna Green, wither they were unsuccessfully pursued by Lady Stanley. The only objection to the match, was, it is said, the age of the bride, who is under fourteen and has a handsome fortune. The parties have since been re-married in London.” Where, presumably, Captain Bontein was enjoying the company of his child bride and her handsome fortune while his comrades plunged into battle.

Elopementcattle on street
A glimpse into the state of the London streets, with vast herds of livestock being driven through them daily, is captured in the report that, “On Friday-forenoon, a large bullock that ran from a drove in Newgate-street, ran into the shop of Messrs. Baldwin & Co. booksellers, and the parlour door being open, he walked in, where there were three or four ladies sitting who were very much frightened…they were at length rescued… by a drover…all the furniture had to be piled in one corner to make room for the animal to turn around: he then walked out very deliberately.” The picture shows a detail from a print of Soho Square (Ackermann’s Repository 1812)
By Monday 19th there was still nothing in the newspapers, but rumours of three days’ fighting around Brussels were beginning to spread by word of mouth from the Channel couriers.
Meanwhile, on the battlefield, the first tourists had arrived from Brussels, despite the desperate needs of the wounded in the city and on the battlefield, the state of the roads and the appalling scenes. In his Journal of the Waterloo Campaign, Kept through the Campaign of 1815, Cavalié Mercer, who commanded G Troop Royal Horse Artillery during the battle, records some of the very first tourists. On the morning of the 19th he recalls surveying the field, helping get water to the wounded and seeing his men were fed, surrounded by mangled corpses and the wounded. “We had not yet finished our meal, when a carriage drove on the ground from Brussels, the inmates of which, alighting, proceeded to examine the field. As they passed near us, it was amusing to see the horror with which they eyed our frightful figures; they all, however, pulled off their hats and made us low bows. One, a smartly-dressed middle-aged man, in a high cocked-hat, came to our circle, and entered into conversation with me on the events of yesterday. He approached holding a delicately white perfumed handkerchief to his nose; stepping carefully to avoid the bodies (at which he cast fearful glances en passant), to avoid polluting the glossy silken hose that clothed his nether limbs…With a world of bows my man took leave, and proceeded, picking his steps with the same care as he followed the route of his companions in the direction of Hougoumont.”

Waterloo after battle0001
Finally some hard news reached the London papers on Tuesday 20th June, albeit four days out of date. Under the headline, “Commencement of Hostilities” the Morning Post reported, “Yesterday afternoon an Officer arrived with dispatches from the Duke of WELLINGTON, announcing the important fact of BONAPARTE having, soon after his arrival on the frontiers, put his army in motion, and attacked the Prussian outpost at Givet. This took place on the morning of the 16th, on the evening of which day a Prussian officer arrived in Brussels to communicate the intelligence to the Duke of WELLINGTON. His Grace lost not a moment in putting his whole army in motion…A general battle has in all probability ere taken place. In Heaven we trust that our confident hopes in regard to it will be speedily and completely realised.”
The Morning Post on the 21st reported rumours of a great battle and stated that, “an Officer was on the road to London with the official accounts, and in the meantime the report brought by MR SUTTON, the Packet Agent [ie in charge of the mail boats] was sufficiently circumstantial to prove its authenticity.” The article repeated the news about the 16th and stated that Wellington had brought Bonaparte into “a sanguinary contest” on the 17th. News of the death of General Picton was given, but all the details were unclear.
By now Napoleon had reached Paris and late that same evening Wellington’s exhausted aide Henry Percy arrived in London, having started out a few hours after the battle with the Duke’s dispatches and two captured eagles. He travelled day and night, with the eagles poking out of the chaise window, and reached Horse Guards between eleven and midnight. He found no-one in authority but eventually tracked Lord Liverpool down who insisted they go immediately to tell the Prince Regent who was dining with the Duke of York at Mrs. Boehm’s house (now no.14) in St. James’s Square.
Lord Liverpool, followed by footmen carrying the eagles, announced to the Prince Regent, “I have brought Major Percy, who comes with the news of a great victory for your Royal Highness.”
“Not Major Percy, but Lieut.-Colonel Percy,” said the Prince as Percy knelt and kissed his hand. ” We have not suffered much loss, I hope.”
“The loss has been very great indeed,” replied Percy and the Regent burst into tears. Major Percy was finally to escape and go to bed for the first time since the battle.
The second edition of the Morning Post on the morning of the 22nd carried “Official Bulletin of the Complete Overthrow of Bonaparte’s Army With a List of the British Officers Killed or Wounded.” The dispatch was brief and to the point, the list of casualties very long – and that was just the officers. Londoners would have been left in no doubt that a great victory had been won at enormous cost. The Morning Post wrote, “With hearts gratefully elate (sic) and all thanks due to Heaven for the event, we have this day the supreme happiness of announcing one of the most complete and comprehensive victories ever attained, even by British valour…While Bonaparte… coward at heart…narrowly effected his escape.”
As Londoners were reading the news, in Paris Napoleon was abdicating in favour of his son.

The first tourists were soon to be followed by a positive flood – the grieving, the curious, the poetic, the patriotic – and the souvenir hunting. You can meet a selection here.

New cover

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The Story of a Square 8: Manchester Square: the place for excellent duck shooting – or possibly Beatle-spotting?

Many people will be familiar with the rich and wonderful Wallace Collection of art, objets d’art, furniture and armour in Manchester Square, but I have to admit to never giving the square itself a thought as I visit the collection, let alone that the location of the house might be due to its convenience for duck shooting.

W H Pyne duck hunting

The square was developed between 1776 and 1788 and named for the 4th Duke of Manchester. He had ordered the house on the north side of the square built because of the excellent duck shooting in the area. My immediate reaction was disbelief until I located the position of the square on Roque’s map of 1747. The position is marked in red and all the standing water in the area is coloured in solid blue. These were ponds left by digging clay for brick and tile making and there are far more ponds just beyond the boundaries of the area shown. There was actually a tile kiln just to the south of the square. (The pond above was drawn by W H Pyne and published by Pyne & Nattes in 1804.)

location of Manchester Square on Roque's map

Manchester House itself, now called Hertford House after the 2nd Marquess of Hertford who bought it in 1797, stood on the northern edge of the square and it is the focus of this image published in Ackermann’s Repository in July 1813.

Manchester House 1813

The artist is standing at the entrance to what was Berkley Street (now Fitzharding Street) which leads westwards Portman Square (developed 1764-84) and opposite is the entrance to Hinde Street, leading to Marylebone Lane.

In the Roque map the ancient winding course of Marylebone Lane leads up to the Marylebone Gardens, opened in 1650 and a popular resort. ‘A pretty place,’ according to Samuel Pepys. It was popular for cock fighting, bear baiting, bowling and bare knuckle boxing and it was here that Dick Turpin kissed schoolmaster’s wife Mrs Fountayne, telling her that she now had something to boast about. By 1738 they were enlarged and became much more respectable and famous for their music. They closed in 1778 and the site now lies under Devonshire Street and Beaumont Street.

By the time of Horwood’s map (1799-1818) the entire area was developed and in the section below the only similarities with Roque’s map are the curving lines of Marylebone Lane and the triangular shape of Marylebone burying ground at the top centre. In the period between the two the area of the burying ground was extended south.

Ackermann’s Repository is cool about the remainder of the square: “The other three sides of the square are composed of neat, respectable dwellings, which have nothing of particular notice.” Certainly, the London Encyclopedia records no interesting inhabitants until the middle of the 19th century, although the staircase of number 20 was the location of the cover shoot for the Beatles’ Please Please Me.

The 2nd Marquess of Hertford who bought Manchester House in 1797 had been British Ambassador in Vienna and Berlin and the 3rd Marquess was one of the Prince Regent’s cronies and advised him on the acquisition of works of art, especially Dutch Old Masters and Sèvres porcelain. The 4th Marquess was another collector and connoisseur who lived a reclusive life in Paris and bought up art and furniture that was, post-Revolution, unfashionable. It was this fabulous collection, including works by Watteau, Boucher and Fragonard that he left to his illegitimate son Richard Wallace.

Wallace, knighted in 1871 for his philanthropy, removed the collection from France to Hertford House because of his concerns for the stability of France following the Franco-Prussian war. Following his wife’s death the collection was opened as a national museum in 1900.

 

 

 

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The Road to Waterloo: Week 15. Napoleon Swears An Oath, Wellington is Laid Back & London Boycotts French Bonnets

On Sunday 4th June Napoleon presented his new army with regimental colours and on the 6th he ordered his generals to begin to assemble on the Belgian border. Perhaps critically, he decided to leave behind his “Iron Marshall”, Louis-Nicolas Davout, to be Minister of War. One of his most experienced generals, Davout’s presence on the battlefield as chief of staff in place of Marshal Soult might have made all the difference to the outcome of the battle.
On Wednesday 7th Napoleon opened Parliament, swearing on the Bible to uphold the troubled new French constitution which made him a constitutional monarch.
parc mapMeanwhile in Brussels Wellington was putting on a masterly show of relaxed imperturbability, entertaining, attending balls, strolling in the Parc (shown left) and flirting with ladies. Besides this attitude being good for morale in Brussels (except possibly for the husbands of his flirts), he would also have been aware that spies were reporting his behaviour back to Paris and he must have seemed to Napoleon (or Buonaparte as Wellington always dismissively referred to him) to be over-confident or simply dangerously unaware of what he was up against. Meanwhile Wellington let it be known that he was planning a grand ball for the 21st June to celebrate the second anniversary of his victory at Vittoria.
In London readers of Sunday’s Examiner would have found several items of interest in the Deaths column including the report of the decease of Mr Steele of Round Green, Durham, aged 102, leaving over one hundred descendants living. James Hare, labourer of Beaconsfield, died of hydrophobia from a dog bite, despite having been dipped in the sea to cure it. This was a considerable journey from Beaconsfield and, as a result, the paper concluded, the delay resulted in this usually reliable cure for the bite of a mad dog not being effective.
The Examiner also contained a lengthy report on fashions, including the essential information that “The only novelty in colour this month is that called the Maria Theresa, which is as yet too little known to be generally adopted. The most prevailing colours are lilac, peach blossom, imperial-green, Saxon-green, pale pink, straw or primrose.” It quoted the patriotic opinion of The British Ladies Magazine that, “Our fair countrywomen are to be congratulated on the improvement made to the fashions this month. Those frightful French bonnets etc have given place to the more simple but elegant English taste.”

The print is from Ackermann’s Repository for June 1815 and shows a lady in a Carriage Dress, apparently viewing pictures at an exhibition.
June 1815 carriage dressOn Monday the most recent Paris newspapers in the hands of the London press were those for June 1st, so as far as readers were concerned, Napoleon and his troops were still in Paris. On Friday the report of the House of Commons showed a remarkable lack of concern about the French threat, with debates about a petition against nude bathing in the Thames, the increase of begging in London and the building of ships by the East India Company. The House spent some valuable time considering the vexed question of the importation of clover seed.
Friday’s papers also included a report of the Prince Regent’s Levée held the previous day at St James’s Palace with the band of the Coldstream Guard appearing in a magnificent new court uniform. The American Envoy Extraordinary and Minister Plenipotentiary to the Court of St. James’s, John Quincey Adams, was “most graciously received” by the Regent and presented his credentials. (To this day, foreign ambassadors are still accredited to the Court of St James’s and not Buckingham Palace.) The U.S. Legation in those days consisted of the Envoy and two secretaries based in a small office in Craven Street. The post was not well paid and Adams and his wife lived a house called “Little Boston” in the village of Ealing to save money to spend on the expensive trappings required by the court. Adam’s later move to the White House must have made an interesting contrast in accommodation.

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The Road to Waterloo Week Five – The Allied Troops Gather While Mrs Bell Corsets the Corpulent

Bells Weekly

On Easter Sunday, the 26th, Bell’s Weekly Messenger stated that no-one had arrived in England from France since the 20th March and that most of the information about Napoleon’s invasion that had been reported so far had been inaccurate. Almost half the newspaper (an 8-page journal) was devoted to news of Bonaparte, and had the facts up to his arrival in Paris more or less correct.
The journal reported that dispatches had been sent on the 23rd from the Admiralty to all the ports in England and speculated that this was giving orders for a general impress of seamen, while every regiment of the line was under orders to prepare for active service and were expected to be marching to the coast to be embarked for Belgium.
Meanwhile, amongst the entertainment offered to Londoners this week, were two of a martial nature looking back to past Allied victories against the French.
At Sadler’s Wells: “Easter Monday, a new Scotch Dance composed by Mr Ellar, called a LOWP AN’ AWA’ – A new Pantomime (by Mr C. Dibden, music by Mr. Reeve) called The MERMAID; or Harlequin Pearl Diver – Clown, Mr. Grimaldi. A new Musical Piece, written by Mr C. Dibden, called LAW’S TWO TAILS; or Entail and Red Tail. Signor Francesco Zanini, from Paris, will make his first appearance in England as an Equilibriste Philharmonique. To conclude with a Naumachia on Real Water, representing the Battle of the Nile.”
At the Panorama, Leicester Square: “Just opened, a VIEW of the LAST BATTLE fought by the ALLIES, near the Butte St. Chaumont, previous to their entering Paris; with a view of the City, and Montmartre in the distance. The splendid BATTLE OF VITTORIA will continue for a few weeks. Admittance to each painting, One shilling. – Open Ten till Dusk.”
Mrs Bell, aMrs Bell adt her shop, the Magazine des Modes, 26, Charlotte Street, was advertising her Bandage Corset for pregnant ladies and those “inclined to Corpulancy”, while, for the more slender ladies, The Circassian Corset, made “without superfluities of Steel, Whalebone or Hard Substances, are declared by Physicians to be the only Corset that should be worn, as they give Ease, Gracefulness, and Dignity to the Shape, which no other Corset is capable of.”
Monday was the annual Lord Mayor’s Banquet, preceded by the grand procession from Mansion House to Christ Church, Newgate Street to hear a sermon preached by the Bishop of Oxford. The toasts at the banquet included, “Church and King”” (considerable applause), “The Prince Regent” (“the approbation expressed by the company did not appear to be so strong as on former occasions”) and “The Duke of York and the Army” and “The Duke of Clarence and the Navy” (to great applause.) the dancing commenced at 10 o’clock and continued until “a late hour”. The image below (from Ackermann’s Repository 1810) shows the portico of Mansion House on the right and Cornhill stretching away in the middle of the scene. The Bank of England is out of sight on the left and the royal Exchange is behind the buildings in the centre.

 

 

Mansion House
In Friday’s paper, an enterprising furniture salesman managed to get the following inserted as editorial: “The rage for French furniture and elegancies has been very prevalent amongst the Nobility and higher classes of this country, who have made large purchases at Paris, which, from recent events, it is probable they will never receive, this will of course enhance the value of what is to be sold next week at Mr. Squibb’s.”
On Wednesday the 19th, Wellington left Vienna to take up command of the combined armies. On Saturday, April 1st, it was reported from the Brussels papers that “the march of troops through this town is incessant” and that 50 ships had already arrived in Ostend, full of British troops. Londoners could be left in no doubt that the situation was now serious.

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If You Decide to Visit Sanditon -Here is What to Wear

The new adaptation of Jane Austen’s Sanditon is all the rage on British TV as I write this post, so here is a collection of fashionable outfits to help you decide what to wear to the seaside. First of all, remember to pack your telescope (or you can hire one from most circulating libraries.) A lady never knows when she might need to check that the gentlemen are sticking to their allocated section of beach.

telescope shoppedThe image above is from La Belle Assemblée for October 1809 and shows ‘Sea Coast Promenade Fashion.’

Telescope0001Somewhat later – I do not have a date for this, but it is c1820 – is this ‘Walking Dress’ from Ackermann’s Repository. I can’t help feeling that this lady is looking positively shifty as she readies her telescope.

 

 

Also in October 1809 the same periodical  showed, ‘Bathing Place Assembly Ball Dress’ (below), illustrated with the neat trick of having a mirror at the back. I can’t help feeling that the head and the bosom are slightly out of proportion… It is interesting that both are published in October – surely far too late for the seaside ‘Season’.

Oct 1809 Bathing Place Assembly

If you feel daring you might like to try one of Mrs Bell’s more… interesting (?) confections….

Bathing evening0001

This extraordinary garment (La Belle Assemblée September 1810) is described as ‘Bathing Place Evening Dress’ and looks like nothing more than some form of night-wear with its buttons right down the front and the display of the shocking pantalettes.

Walking dresses for the seaside show a complete disregard for sea breezes, with bonnets and parasols deployed by every lady. These ladies on the beach at Southend seem to be hanging on to skirts and parasols with some difficulty.Southend

dog walking

This lady, walking her dog on the beach with bathing machines behind her, seems positively agitated as she clings to her hat with her shawl whipping around her. This is a plate from Ackermann’s Repository August 1822.

A rather more tranquil day is shown here in another dog-walking scene, although I would not like to be her lady’s maid, trying to get salt water and sand out of those trailing skirts!

parasol dog bathing machines

1809 Bathing dressWhat did one wear to get to and from those bathing machines? The ever-inventive Mrs Bell produced a magnificent ‘Sea Side Bathing Dress’ for the August 1815 edition of La Belle Assemblée. This is not the costume for entering the sea but for wearing to get there, and it is lavishly trimmed in drooping green, presumably to imitate seaweed. Note the bag she is carrying. This contains Mrs Bell’s ‘Bathing Preserver’ which she produced in 1814. You can see it in its bag again below (La Belle Assemblée September 1814). Here the lady is wearing ‘Sea Side Morning Dress’ with ‘Bathing Preserver. Invented & to be had exclusively of Mrs Bell, No.26 Charlotte Street, Bedford Square.’ The Preserver is in the bag lying beside her chair.

1814 Seaside walking dress & bathing preserver.jpg

Ladies normally wore a simple flannel garment with head and arm holes and possibly a weighted hem – ‘a flannel case’. One could provide one’s own or hire one, and this is what Mrs Bell is referring to in her description of the Perserver:

‘The Bathing Preserver‘ is a most ingenious and useful novelty for ladies who frequent the sea-side; as it is intended to provide them with a dress for bathing far more adapted to such purposes than anything of the kind at present in use; and it will be found most necessary and desirable to those ladies who go to the sea-side unprovided with bathing dresses and will relieve them from the nauseous idea of wearing the bathing coverings furnished by the guides [the ‘dippers’ or bathing-women]. Mrs Bell’s Bathing Preserver is made in quite a novel manner to which is attached a cap to be removed at pleasure, made of a delicate silk to keep the head dry. The Preserver is made of such light material that a lady may carry it in a tasteful oiled silk bag of the same size as an ordinary lady’s reticule.’

Discover all about the Georgian seaside, from bathing dresses to royal patronage, in The Georgian Seaside: The English resorts before the railway age. 

The Georgian Seaside Cover_MEDIUM WEB

 

 

 

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Just the Thing For the Garden

Now the drought is over I am returning to the garden in an attempt to rescue the parched remains and thinking it might be time for a makeover. And where better to turn for landscaping tips than Ackermann’s Repository of the Arts?

Of course, it does help if one has several acres and significant financial resources, to say nothing of strapping young men with spades and wheelbarrows…

Pyne 10002

But I will not be put off by the lack of acres and wheelbarrows (the one on the left is by W H Pyne) because the issue for February 1800 informs me that “Great diversity of surface may, in general, be obtained at no objectionable expense, if the labour be discreetly governed. To sink the valley and raise the hill is a good rule, when properly applied; in which case, the advantages produced are so immediate and striking, as amply to compensate for every exertion for every exertion: hence plants and trees obtain the appearance of several growths, as they are situated on greater or lesser elevations and produce varieties of incident, and opposition of light, shadow, form and colour, that cannot be effected on level ground.”

Apparently, once I have excavated and elevated I will have created something ideal for “garden seats, temples and alcoves… suited to retirement and study.” I don’t think a temple would work, but Ackermann helpfully illustrates an “alcove” that might fit in. It would certainly startle the neighbours.

Gardening

 

“The style of this little building is light and elegant, but of no specific architectural character; and from its arrangements and design, should be rather splendid in its furnishings than otherwise. The pillars are of iron, and from them are suspended china pattera, of rich colours: the chains are gilt, as is the terminal of the roof. The scale-like forms of the roof-covering are of thin lead, and might be richly painted: indeed the whole should be so decorated as to become highly ornamental, and be in splendid harmony with the accompanying parterres and flower-beds.”

Somehow I think this might be more the scale of project that my resources will run to – another Ackermann print, this time from September 1820

1820 gardening001

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Every Home Should Have One – An Ottomane Couch

Rummaging in the treasure trove of prints I bought recently I found this from Ackermann’s Repository of Arts (July 1814). It is captioned “Design for an Ottomane [sic] Couch” although I doubt whether any citizen of the Ottoman Empire would recognise it!

otomane-couch

It is obviously designed for a very large house and it looks decidedly uncomfortable – but fashion overrides comfort, presumably. I’m at a loss to identify ‘Ottoman’ influences – the two half-figures of naked women look decidedly Egyptian in origin.

If it was mine I think I’d be worried about male guests dangling a hand over the end and groping the ornaments…

 

 

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1814 – the Summer of Celebrations

The summer of 1814 – and London is en fete to celebrate not only the victory over Napoleon but also the anniversary of Hanoverian rule. For three months Londoners had the opportunity to view, and enjoy, some of the most lavish celebrations the capital has ever seen.

Ack transp

On April 20 there was a triumphal procession for Louis XVII from Hyde Park to Grillon’s Hotel in Albemarle Street where he was staying with his entourage. On June 7 the Russian Czar Alexander I, King William III of Prussia, Marshal Blucher, Prince Metternich, the Prince of Liechtenstein, and Prince Leopold arrived in London and on June 11 the Prince Regent entertained all the Allied Leaders at the opera at Covent Garden. On June 16 they were the guests at a dinner held by the merchants and bankers of London in the City and on June 18 the Prince Regent, Marquess of Wellesley, Lord Liverpool, Marshal Blucher, Prince Metternich, Czar Alexander I, and Catherine Grand Duchess of Oldenburg were guests of honour at a dinner given by the Corporation of London.

On June 20, hopefully having had the opportunity for a rest and some digestion, the Prince Regent, the Duke of York, the King of Prussia, the Czar and  Generals Blucher, Lord Beresford and Hill reviewed 12,000 troops in Hyde Park. At 8pm that evening a re-enactment of the battle of Trafalgar was held in the park on the Serpentine with model ships three feet long (one metre) were deployed to recreate the main events of the battle. At the climax the French ships were sunk as the National Anthem was played.

The evening was staged as a popular entertainment and the park was transformed with stalls, arcades, and follies and pavilions. There were refreshments, taverns and fruit stalls and the crowd could listen to military bands as they watched acrobats or enjoyed the swings and roundabouts.

On June 22 the Allied Sovereigns watched a naval review at Portsmouth before leaving for the continent, but in London the celebrations were by no means over.

On June 28 Wellington was formally welcomed at Buckingham House by the Queen, and on July 1 a great ball was held in the Duke’s honour at Burlington House by White’s Club. It cost £10,000 and amongst the 1,700 guests was Jane Austen’s brother Henry. She was thrilled. On July 7 there was a Service of General Thanksgiving for the victory at St Paul’s Cathedral with Wellington carrying the Sword of State alongside the Regent and as a further sign of his pleasure the Regent held a fete in the gardens of Carlton House to honour the Duke on July 21.

Pagoda

August 1,1814 was the hundredth anniversary of the accession of George I of Hanover to the British throne. The Battle of the Nile was represented by rowing boats on the canal in St James’s Park which was crossed by a new ‘Chinese’ bridge with, in the centre, a seven-storey pagoda. According to Ackermann’s Repository “It appeared a blazing edifice of golden fire, every part being covered in lamps, and glass reflectors at proper intervals relieving the splendour with their silver lustre.” At the height of the fireworks the pagoda caught fire and two men and a number of swans perished, but the crowd thought it was part of the celebrations and cheered wildly.

Meanwhile in Green Park a castle-like structure was built. After firework display that lasted, according to Ackermann’s, “for more than two hours, a discharge of cannon enveloped the whole building in smoke so dense, that no part of it was visible to the innumerable spectators assembled…but when this obstruction cleared away, it burst upon them, metamorphosed into the Temple of Concord, most brilliantly illuminated… and revolving upon its centre.”

Concord

Many shops and businesses also rose to the patriotic occasion and decorated their premises. Ackermann’s Repository at 101, Strand, was decorated by a ‘transparency’ almost 30 feet (10 metres) high and “brilliantly illuminated” from the back “with carbonic gas.”. The lower section shows the seven Christian and Cardinal Virtues with the Royal arms above and the standards of the Allied nations. The upper part is the Temple of Peace with the word REGENT above and all crowned with the Prince of Wales’s feathers. It is shown at the head of this post.

You can  enjoy these two historic parks by taking Walks 4 and 6 in Walking Jane Austen’s London.

 

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The Regency Print Room – DIY Decoration and Early Scrapbooking

On a recent visit to Blickling Hall in North Norfolk I was delighted to see an example of one of my favourite kinds of Regency interior – the Print Room.

Blickling 1

These were usually small rooms with painted walls on which the homeowner would paste prints, surrounding them with fancy borders made to resemble picture frames and perhaps with tromp l’oeil ribbons and cords to ‘hang’ them from.

Print rooms were attractive projects to undertake for a number of reasons, especially since the selection and arrangement of the prints themselves served to demonstrate your personal taste and discrimination, to be admired by friends and visitors. It was a form of satisfying collecting to track down and assemble the prints and, very importantly, it was a craft skill that was perfectly acceptable for ladies to carry out, involving nothing more than a pair of sharp scissors, a ruler, a pot of flour paste and a footman with a step ladder.

Illustrated books were popular conversation pieces, to be handed round and discussed in the evening and many would have been sacrificed for their prints of classical antiquity, foreign lands or plant and animal life. Gentlemen on the Grand Tour might buy prints on their travels and come home with them for their mothers or sisters to use to create a large-scale souvenir of the journey.

Contemporary journals, such as Ackerman’s Repository always contained prints of fashionable ladies of the day or of interesting scenes, and print shops abounded in London and the larger towns.

The prints used in the more formal print rooms seen by visitors were usually black and white or sepia and not the hand-painted coloured types.

Rudolph Ackermann was the foremost artistic supplier to the well-off amateur as well as to professional artists. He was born in Saxony in 1764 and opened his shop at 101, Strand in 1797. His portrait hangs in the National Portrait Gallery, a mark of how successful and influential he became. He sold paints and colours, other supplies for artists, illustrated books, journals and prints.

He even sold prints of his own shop – excellent publicity, of course. This one shows customers browsing through the prints and hints at the size of his stock. As well as buying the actual prints, anyone creating a print room could also buy borders in lengths to cut to fit, and the other decorative details to create the impression of a collection of hanging pictures.

ackermanns 2

The two photos from Blickling show how the entire room was designed as whole, with a border around the doors and windows to match the ‘frames’ on the pictures. The detail shows one wall with prints mainly from the Grand Tour – the large one in the centre at the top is the Pantheon in Rome – and also shows the variety of ribbon bows available.Blickling 2

Ladies might also decorate the inside of closets or their dressing rooms – places that were private and not on display to visitors – in more of a ‘scrapbook’ style, building up the decoration as they found something that appealed. An extreme example of the desire to cover any available surface is the interior of the lid of this 18th century chest that I own – it has amateur drawings and watercolours, a print of the Battle of Vittoria, newspaper cuttings and even Moses with the Ten Commandments.

chest

I’m sure Regency ladies would have loved the modern craze for scrapbooking!

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It’s June and the Pictures Are On the Wall

JuneFor the first of June here is another of Cruickshank’s delicious drawings of London life month by month. It shows the Royal Academy’s Summer Show with the gawping crowd of connoisseurs, fashionable types and sightseers, all jammed in to look at the pictures hung floor to ceiling in the fashion of the time. This was one of the major events in the London Season and has been held every year since 1769.

Here is Henry Alken’s view of the same event, drawn in  1821. Summer showThe Royal Academy was initially located in Pall Mall, then moved in 1771 to the first completed wing of New Somerset House, in the Strand. In 1837 it occupied the east wing of the recently completed National Gallery in Trafalgar Square and in 1868 it moved to its present location, Burlington House, Piccadilly. The plate below from Ackermann’s Repository for May 1810 shows the “Hall at the Royal Academy, Somerset House” with an artist sketching one of the plaster casts of Classical statues.

Royal Ac

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