Category Archives: Domestic life

The Not So Romantic Regency

It is easy to think of the Regency as romantic – duels, elopements, dashing bucks and gorgeous gowns. But the slang of the period soon dispels that, as do the some of the images of the time, unlike Rowlandson’s The Embrace above. (I do love how he always includes a dog).

Grose’s Dictionary of the Vulgar Tongue pulls no punches with the slang for marriage – For a man it was to “be in parson’s mousetrap”, “to live under the cat’s foot”, “to be yoked”. The wife and children were “heavy baggage” (as this father below is finding) and, as like as not, the husband would be tied to a “buttock and tongue” or a “crooked rib”. There’s no indication of how the women involved thought of it – slang was for men.

Young ladies might dream of romance, like this one shown on a fan playing “loves me, loves me not” with daisy petals while a young man passes by.

They might send or receive love notes like these from the French print series Modes et Manières.

But there were plenty of warnings about how romance, or the lack of it, might end. This fan shows all sorts of dire situations – the horrors of being left a spinster with only cats for company, the fact that you can’t trust a young man as far as you can throw him or the risk that your romantic young husband recoils in horror from the responsibility of a family.

But perhaps it will all end with a kiss. Happy Valentine’s Day!

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Living In History

I nearly always blog about the ‘long’ Regency, the era in which almost all my books are set, but like most of us who are passionate about history, any opportunity to get closer to it fires the imagination. One of the best ways of doing that is living in an historic building. Some people are lucky enough to own one, but for the rest of us the Landmark Trust provides brilliant opportunities to live in eras ranging from the Middle Ages to the mid 20th century.

This month I have stayed in three West County Landmarks – two castles (nothing says Social Distancing like a castle), one medieval and one Tudor, and a Listed mid-century house and I thought I’d share them with you.

The first is Stogursey Castle near Bridgwater in Somerset, that just happened to be built by my husband’s distant great grandfather, William de Curci. Stoke de Curci was corrupted into Stogursey, hence the unusual name..

The castle itself is a ruin of curtain walls surrounding the central space where the keep used to stand.

The castle gradually fell into disrepair after the Wars of the Roses but the gatehouse, was  converted into a cottage in the 17th century. One side incorporates the base of a tower and the rest fits into the section where the gate itself would be. It was repaired in the 19th century and then fell into almost terminal decline until rescued by the Trust who discovered a bridge of about 1300 in the process.

We were enchanted to have a sitting room with arrow-slit windows.

The best view was just after sunrise and the only disappointment was that we couldn’t raise a drawbridge. Several walkers came and knocked, clearly under the impression that we could sell them tickets to get inside!

From Stogursey we went to Anderton House, near Barnstable, and couldn’t have found a greater contrast. The house was commissioned in 1969 and is one of the few houses of the period to have Grade II* Listed status.

The view was wonderful and we enjoyed the simple. pared-back design. In the centre, between the living room and kitchen/dining room was a small, open study space (the white wall behind the sofa), as specified by the original owner, who liked to work in the heart of things. I even managed to write a chapter there on a rainy day.

From our 20th century comforts we travelled on to the South Devon coast and Kingswear Castle, opposite Dartmouth Castle. Kingswear Castle was completed in 1502, a Tudor fortlet to defend a significant harbour.  The position is dramatic, the steps (inside and out) guarantee toned calf muscles by the end of the stay and the views are amazing. Here’s the castle from the opposite bank –

And here is the view across the River Dart to Dartmouth Castle in the early morning.

Stogursey Castle gave me the opportunity to soak up general atmosphere but Kingswear has far more practical experiences. The castle was, when it was built, absolutely state of the art. It possessed the first gun ports that allowed cannon to be trained in a wide sweep of fire and these gun ports remain on the lowest level in the gun battery (picture below). They are low in the walls because the guns were on wooden sledges, not on wheels, and were dragged into position. Above some of them you can see the small apertures that may have been sighting holes for the gunners. Even with the primitive cannon of the time the pair of forts between them could cover the width of the river.

Then artillery design improved and the range rapidly increased to the point where Dartmouth Castle alone could fire right across the estuary and Kingswear became more or less redundant after fifty years. It was manned during times of emergency and saw some action during the Civil War, but then there was a fire and it was allowed to fall into decay. In 1855 a wealthy young man, Charles Hayne Seale Hayne (yes, that is the correct name), bought it and turned it into his summer residence. He later became an MP and held office in Gladstone’s government. After his death it had several owners, was occupied by the Marines during the 2nd World War and was rescued again in 1957 by the MP for Torquay as his constituency home. In 1987 he sold it to the Landmark Trust.

Living in the castle now, one has the benefit of a modern kitchen and comfortable sitting room and bedroom, but there are constant reminders of the original purpose of the castle. There is modern plumbing in a bathroom on the roof, in the position where a firing platform would have allowed defenders to shoot at attackers on the landward side – the slope is so steep that the top of the castle is virtually at the level where today one parks the car. This meant that I could conveniently arrange the contents of my washbag in the sockets that carried the beams supporting the platform and could brush my teeth imagining the gunfire and shouts echoing overhead.

The position of the bathroom meant that one had regular experience of living with a stone spiral staircase spanning four floors. It was tough enough in modern clothing and not carrying anything, but negotiating it at night gave me a vivid sense of what it must have been like for defenders, probably in some kind of armour or chainmail, hurrying up and down during an attack. [The image below has been copied from the Landmark Trust website] It also made me wish that the Landmark Trust had seen fit to reinstall the garderobe which was discovered in the alcove that Seale Hayne had used as a wine cupboard and into which a later occupant had installed a large window. It is now in the bedroom.

 

 

Finally, to top off Kingswear’s historical experience, there is the 2nd World War blockhouse.

I look back on ten days experience of the Middle Ages, the early 16thc, the English Civil War, the 2nd World War and the 1970s with my imagination stimulated and ideas jostling for attention – and of course, in expeditions out from our Landmarks I discovered treasures that fitted ‘my’ period perfectly – a very early steam engine and a delicious little Regency ‘Gothic’ house in Totnes, which is surely going to have a place in a future book.

 

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Regency Ice Cream Anyone?

Fred Nutt0003I love ice cream – which is fortunate as my husband, who is the cook in our house, has bought an expensive Italian ice cream maker which means we’ve got to eat lots to make it earn its keep!

But ice cream was a real luxury in the early 19thc. There was no way of making ice artificially – it had to be harvested and stored which was easy enough if you had a large estate with lakes and ponds which would freeze in winter and staff to do the work. Slabs of ice were cut and packed in ice houses where they could be insulated with thick walls and straw to keep the ice right through the year. But how did they manage in towns and cities? Presumably loads of ice were brought in by wagon, melting all the time, and would be stored in insulated rooms.

Once you had your ice, making frozen or chilled desserts was still hard work. I own a copy of The Complete Confectioner or, the Whole Art of Confectionary Made Easy by Frederick Nutt (1815). The book has a frontispiece (above) of a lady with a magnificent pineapple – a real status symbol at the time and so expensive that you could hire one as a centrepiece for your smart dinner party and then return it, untouched, the next day.

Mr Nutt has pages of receipts for ice creams and water ices. Here is the one for barberry ice cream, which gives the basic method used for all the others.

“Take a large wooden spoonful of barberry jam, and put it in a bason with one pint of cream; squeeze one lemon in, mix it well; put it into the freezing pot and cover it; put the freezing pot into a pail and some ice all round the pot; throw a great deal of salt on the pot in the pail, turning your pot around for ten minutes; then open your pot and scrape it from the sides, cover it up again and keep turning it for some time, till your cream is like butter, and as thick; put it in your moulds, put them into a pail, and cover it with ice and salt for three quarters of an hour, till you find the water is come to the top of the pail; do not be sparing of salt, for if you do not use enough it will not freeze: dip your mould into water, and turn it out on your plate to send to table.”

He uses jams and cordials extensively as flavourings for his ices and it was possible to buy syrups ready made. Here is the billhead for F Parmentier & Co. Confectioners of 9, Edwards Street, Portman Square for 1812. The purchaser had bought a bottle of orange syrup for 7 shillings, another of lemon at the same price and rout cake at 4 shillings.

 

Gunther’s in Berkeley Square was the most famous of the London tea rooms and there you could have ices brought out for the ladies to eat in their carriages under the spreading lime trees that shaded the square.

The illustration of the three young women is French, from Le Bon Genre series of the early 1820s. It is called L’Embarras du Choix, although the lady on the left seems more interested in staring at the handsome waiter than choosing her ice cream from the menu!

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Water, Water…

Some time ago I bought a charming book for children which unfortunately is missing its title page and front matter. I tracked it down from the introductory poem and found that it is a version of  Rural Scenes; or, A Peep Into the Country for Good Children, originally published in 1805 by Harvey, Darton & Company, Gracechurch Street, London. The authors were sisters Jane and Ann Taylor. Jane was the author of ‘Twinkle, Twinkle, Little Star.’

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The only one I can find on sale is a first edition bound with the companion A Peep Into London… and that was $3,250! Mine has different and fewer images, although in exactly the same style, and was published in 1813. I think I paid £10 for it – but I have to admit, mine is rather more battered.

With the rain lashing down outside I thought the text accompanying a scene of a woman dipping water from a stream was rather apt. The book groups similar subjects together and this is from a set all to do with water.

water

38: Dipping Water.

Morning and night, with cleanly pails,

Comes Mary to the spring,

And to her cottage never fails

The Cooling draught to bring.

With some she scours the dressers smart,

or mops the kitchen bricks; And in the kettle sings a part,

Above the crackling sticks.

The text following it reads, ‘Without water, man, woman, and child; birds, beasts, and fishes; trees, plants, and flowers, must all die! Do not let us be so angry, then, with a shower of rain, even if it should spoil our walk; for what should we do without it? We often overlook the comforts we possess, nor are we sensible of their great value, until we are deprived of them. For want of water and fresh air, many English people died in a dungeon, at Calcutta, in the East Indies. And how much to be valued is fresh water on shipboard; as all water in the sea is salt, and not fit for men to drink, except as a medicine, in some disorders, for people on shore.’

In a very few lines it packs in a lecture on housekeeping – clean pails required, daily scrubbing of the kitchen – a passing reference to history with the Black Hole of Calcutta, moralising on being aware of the blessings we possess and a mention of saline draughts in medicine!

The image above is a lecture on the value of the cows which John is taking to drink. Betty will make cheese, butter and cream and sells the butter milk ‘to the poor people’. But when the cows are killed they provide food, leather, fat for candles, hoofs for glue, horns to make lanterns and combs, bones for carving like ivory, ‘the blood makes a beautiful blue colour’ and ‘even the bowels are not thrown away.’ Luckily we aren’t informed what happens to those. No sentimentality about farm animals here!

As for the bottom image, that provides us with a neat little moral lesson:

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Jane Taylor, shown below, lived 1783 – 1824. She was born in London, lived for much of her childhood in Lavenham and died and is buried at Ongar in Essex. Jane Taylor

I may well return to this delightful book in the future – I’m eager to share the ingenious ‘Fish Machine’.

 

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From India to Fulham – On the Track of a Love Story

Some time ago I bought a battered little book from an on-line auction site for a few pounds. It measures approximately 8 x 6.5 inches (10 x 6 cm), the cover was battered and the thin spine had given way completely. The pages inside were loose and covered in handwriting in ink that, in places, had faded badly.

whole thing

Many pages were difficult to read but I saw at a glance that it was what I had hoped – a book of household recipes and hints  that some careful 19th century housewife had collected. But who was she and when did she keep her notebook?

Inside one cover was “9, High Row 60£” and “G.G.Mills Esq, North End Terrace, Fulham”.  Somehow I didn’t think that Mr Mills himself was carefully collecting recipes for raspberry vinegar or fish sauce. The other cover, amidst various scribbled notes, had, “Mrs Bernard Ryan”, the date 31st August 1812 and “Kensington Wilds Library Hornton St.” There was also a strip that had been torn from a letter and stuck in with instructions for restoring the lustre to silverware written on it. The letter had been addressed to Mrs Mills. The glue obscures the notes in the top left hand corner of the inside cover but it is possible to read “1819 Sept 21st”, “G.G.M 10th Dec 1819” and very faintly below that “To make good curry.”

inside cover

So, I had a Regency housewife’s notebook – but if this belonged to Mrs Mills, who was Mrs Bernard Ryan? And why had someone apparently tried to copy Mrs Bernard Ryan’s name in wobbly handwriting above it as “Mrs Renard Ry”? A child, perhaps?

I began with the library by digging in on-line newspaper indexes and soon found that F. P. Wild’s Library at 8, Hornton Street, Kensington appears in newspaper advertisements for newly-published books  between 1816 and 1825. It seemed I was definitely dealing with someone living in London

Then I turned to genealogy websites and discovered that a George Gillam Mills was resident at North End Terrace, Fulham when he died in May 1844 aged 74. He was buried in the District Chapel of the Parish of St Mary’s, North End, Fulham on 17th May. I tried to find North End Terrace on maps but could not pin-point it but but North End Road joins Hammersmith Road just where St Mary’s Chapel, now a church, stands. It seems likely that it was at the northern end of the road that Jean and George lived. Until the late 19th century North End was a scattered hamlet of houses along North End Road surrounded by fields and market gardens and included many substantial properties and villas owned by prosperous middle class and aristocratic families.

Now I knew Mr Mills’ first names I could chase him further and found that on the 15th May 1815 he had married Jean Ryan, a widow, at St Luke’s, Chelsea. They had married by licence and on the bond which he signed to obtain the licence George stated that he was over twenty one years of age, unmarried and living in the parish. It seemed highly likely that Jean Ryan was the Mrs Bernard Ryan named on the inside cover of the book.

I was able to find George’s christening record at St Alfege’s church in Greenwich on 24th November 1771 with the note that he had been born that month. His parents were Samuel Gillam Mills, a surgeon, and Catherine. So George was from a middle class home and was forty four when he married Jean Ryan.

Could I find ‘Jean’ marrying a Barnard Ryan? To my delight I found that on 26 August 1805 Lieutenant Bernard Ryan married Miss Jean Forbes in Secunderabad in British controlled India. But sadly the marriage lasted only six years. He died, a Captain in the 12th Regiment of Native Infantry of the Honourable East India Company, aged twenty eight and was buried 17th October 1811 at Fort William in Calcutta (now Kolkata). His will leaves everything to his wife Jean.

This image of the fort is from 1754, but it must have looked very much like this when the Ryans knew it, and having seen it when in Kolkata myself, it is still recognisable today.

Fort_William 1754

In September 1812 the records of the Lord Clive Military Fund Pensions Committee in the Madras (now Chennai) Presidency show that a pension of two shillings and four pence a day was granted to Mrs Jean Ryan, widow. Soon after this she must have set sail for England, a voyage of perhaps a year unless she was very lucky with the weather.

How did the widowed Mrs Ryan meet Mr Mills? How old was she? That at least I could answer because her burial record for 19th March 1825 gives her age as only forty. She had been twenty when she married Bernard and thirty when she married George. But her second marriage to a man fourteen years her senior seems to have been a happy one  because below a recipe for stewing flounders she wrote: “13th April 1820 – recd. a New Crown Piece from Darling Husband. Keep Sake.”

What happened to George? He was a prosperous businessman and civil servant, it seems. In 1815 he was Cashier of Half-Pay at the Army Pay Office in Whitehall and in 1819 had been promoted two steps up to Ledger Keeper. The Royal Kalendar and Court and City Register for 1817 and 1819 lists him as one of the directors and an auditor of the British Fire Office, “for assuring Houses, Goods and Ships” located at Cornhill in the City. How did he pass the nineteen years of widowerhood? I hope he had a good housekeeper who cooked him some of the familiar recipes from Jean’s notebook.

The notebook itself has a wide selection of recipes with notes on who gave them to her, a good selection of curries – not surprisingly perhaps – and notes on everything from making mistletoe grow to polishing a mahogany table. I transcribed the whole book and Mock Oyster Sauce and a Cure For Corns: A Regency Lady’s Receipt Book is out in April but available to pre-order now.

Cover 2

 

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Spice Up the New Year

I’ve been trying out gingerbread and spice cake recipes as warming treats so here are some genuine 19th century recipes for you to try (Warning! I haven’t tried these as they are, so it is at your own risk!).

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I made mine using the smaller of the the three antique biscuit moulds that I own – the only one that will produce a biscuit small enough for a modern oven.  This is the result – not quite firm enough, I think, it has lost definition so more experimentation needed. It tastes great though.

gingerbread

First here are Gingerbread Cakes, a simple recipe from The Housekeeper’s Instructor; or Universal Family Cook (1807). Given the amount of nutmeg these might be quite hallucinogenic!

Take three pounds of flour, a pound of sugar, the same quantity of butter rolled in very fine, two ounces of beaten ginger, and a large nutmeg grated. Then take a pound of treacle, a quarter of a pint of cream, and make them warm together. Work up the bread stiff, roll it out and make it into thin cakes. Cut them out with a tea-cup or small glass, or roll them round like nuts, and bake them in a slack oven on tin plates.

DSCN0188There’s a very similar recipe in The Complete Confectioner (1815) by Fredrick Nutt with the note: N.B. These are very good for the stomach in cold weather.

Mr Nutt has a more elaborate recipe for Spice Biscuits. It uses Lisbon sugar – cane sugar imported from the West Indies and double-refined in Portugal leaving it an off-white colour. A third refining was necessary to make it pure white, which would be more expensive.

Take three pounds of flour, and three pounds of sweet almonds cut in half, and put them with the flower [sic] and three ounces of spice, such as cinnamon and mace pounded, and one pound of powdered sugar, and mix them together on your dresser; then take three pounds of Lisbon sugar, and put it in a saucepan with some water, and just boil it, then mix it with the other ingredients on the dresser; when it is all mixed to a paste, heat your oven very hot, and put three papers next your plate; then roll your paste to the size of a large rolling-pin; then put it on your paper and flat it down with your hand about three inches wide, but higher in the middle than at the ends, then put them in the oven; when they are baked take them out, while hot, cut them with a sharp knife about the eighth part of an inch thick, in the form of a rusk, and you will see the almonds very well in them.

The third of my moulds is so long that it wouldn’t fit in any modern domestic oven – and it is a pig to photograph, but here goes!

DSCN0186

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Time For A Pudding

The evenings are drawing in, there’s a nip in the air – what better time to think about making a warming pudding?

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I’ve been consulting A New System of Domestic Cookery formed upon Principles of Economy and Adapted to the Use of Private Families by A Lady. It was published in 1829 by John Murray (Jane Austen and Byron’s publisher) and cost seven shillings and six pence.

Some of the recipes certainly would have been very economical, using up left-overs in a way that resonates with today’s concern about food waste. There are a number of recipes using bread such as this one:

A Rich Boiled Bread Pudding

Over half a pint of crumbs (from a previous recipes I think these must be stale white bread crumbs) pour half a pint of scalding milk; cover for an hour. Beat up four eggs, and when strained, add to the bread, with a tea-spoonful of flour, an ounce of butter, two ounces of sugar, half a pound of currants, an ounce of almonds beaten (I assume these would be ground almonds), with orange-flower water, half an ounce of orange, ditto lemon, ditto citron (juice??). Butter a basin that will exactly hold it, flour the cloth and tie tight over and boil one hour.

I rather like the sound of this savoury pudding although I’d add  more cheese myself. I imagine it would be baked in a pie dish:

A Cheese Pudding

Grate three ounces of cheese and five of bread (stale, I assume); and having warmed one ounce of butter in a pint of new milk (making this today I would use full fat milk), mix it with the above; add two well-beaten eggs and a little salt. Bake it half an hour.

Another one that I’d like to try is:

An Exceedingly Good Orange Pudding

On half a pound of crumbs of bread pour a pint of milk; let it boil up; stir in two ounces of butter and one of marrow (I think I might give the marrow a miss and add a bit more butter!), keeping the pan over the fire until all is incorporated. Let it become cold then mix in two eggs, two ounces of sugar, the same of orange marmalade, and a spoonful of orange flower water. Choose a basin that will exactly hold it, and tie over with a floured cloth very closely. Boil it an hour and a quarter. For sauce, melted butter, sugar, a little lemon-juice, and a spoonful of brandy.

Finally here’s a real novelty. I’m trying to persuade the cook in our household to try it to see if it lives up to its name. If I succeed, I will let you know!

Transparent Pudding

Beat eight eggs very well; put them into a stew-pan with half a pound of sugar pounded fine, the same quantity of butter, and some nutmeg grated. Set it on the fire and keep stirring it until it thickens.  Then set it in a basin to cool; put a rich puff pastry round the edge of the dish; pour in your pudding, and bake it in a moderate oven. It will cut light and clear. You may add candied orange and citron, if you like.

I haven’t tried any of these – so if you do, it is at your own risk! Happy baking.

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Directions to the Cook for March

Shivering as the snow is whirled round the house by winds of over 40mph I’ve turned to my Georgian cookery books for inspiration for today’s blog in the hope of something warming.

The New London Family Cook or Town and Country Housekeeper’s Guide by Duncan MacDonald “Head Cook at the Bedford Tavern and Hotel [on site of present Maple Leaf, Maiden Lane], Covent Garden, and Assistants” is probably the most comprehensive cookery book I own. My copy, dated 1812, is battered and without its covers or any of the index after “Daffy’s elixir, old receipt for…” but it has a large section of “Instructions for Marketing”, monthly guides to what is in season and several suggestions for entire dinners and recipes and carving instructions. The “Family Recipes” section provides solutions for everyday problems – thinning and falling hair, cramp, scorched linen – and “restoring the life to drowned persons.”

You can see Duncan MacDonald in the damaged frontispiece above surrounded by the tools of his trade. He looks a good advertisement for his recipes!

Many of these recipes and receipts occur in other cookery books – trying to work out who was stealing whose recipes – or copying wholesale, come to that – is a work of archaeology.

For March, Mr MacDonald informs us, beef, mutton, veal “house-lamb” and pork are the meats in season. The poultry and game are turkeys, fowls, capons, chicken, duckling, tame rabbits and pigeons. (I’m not clear what the difference between a fowl and a chicken is.) A wide range of fish is in season including oysters, flounders, eels, roach, crab, turbot and mackarel [sic]. The vegetables he lists are mainly roots and the cabbage family including borecole – what we now call Brussel Sprouts – plus mushrooms, tansy, parsley, fennel and celery. Lettuce and cucumbers are listed – presumably grown under glass – and a wide range of herbs.

The list of fruit is sometimes baffling – “Golden pippins (an apple variety dating from the 17thc), rennetings (one of the group of apples called reinettes now), love (no idea – unless it is ‘love apple’ ie tomato), pearmain and John-apples (there are a number of apples whose name includes ‘pearmain’ but I can’t trace John-apples), the bon-chretien (nowadays usually known as the Williams pear) and double blossom pear, oranges and forced strawberries.

Here is the menu and table layout for the first of his suggested March dinners. This is service à la française – the dishes are brought out all together in two or more ‘courses’ for the diners to help themselves and each other to whatever combination they like, as opposed to service à la russe, the modern method, where each dish is served separately by a waiter or footman.

Given how cold the weather is, I’ll give the two soup recipes – and a warning – I haven’t tried these, so I cannot vouch for what they’ll taste like if you try them at home!

Soup Sante or Gravy Soup

“Take turnips and carrots, shred them small with celery heads about two inches long; wash and steam them separately in a little water until nearly done; when quite done, cut the white of the celery small, likewise a small quantity of leeks, cabbage, cos lettuces, endive and chervil; put all the vegetables to boil til quite tender, with three quarts of cleared brown consumes [presumably consommé]; if in season, add green peas, tops of asparagus, and button onions, stewed, etc.

You may put in a small piece of bouille beef stewed; but dry it with a cloth, and put it in the soup with the vegetables when you serve it. This, however, is not very general.”

Rice Soup

“Put a pound of rice and a little cinnamon [stick, not powder] into two quarts of water. Cover close, and let it simmer till the rice is quite tender. Take out the cinnamon, sweeten it to your taste, grate in half a nutmeg, and let it stand until cold. [This sounds more like a cold rice pudding than a soup.]”

“Another way

Wash a handful of rice in warm water, put it into a stewpan, with as much stock as it is wanted to make, and let it simmer slowly for two hours. Season it to your taste, and serve it up.”

I’m now going to go off and try out the recipe for Portable Soup…

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Bringing Spice to the Kitchen – Or the British and ‘Curry’

The British in India, from the 17th century onwards, cheerfully lumped the many and varied styles of cooking, and the subtle differences in dishes they encountered, under the term ‘curry’, a word copied from the Portuguese. Pietro della Valle (died 1652) described as ‘caril’ or ‘carre’ the ‘broths… made  with Butter, the Pulp of Indian Nuts… and all sorts of Spices, particularly Cardamons and Ginger… besides herbs, fruits and a thousand other condiments [which are] poured in good quantity upon … boyl’d Rice.’

The British in India ate ‘curry’ with every meal, using the term to cover anything in a spicy sauce. No British lady would dream of undertaking her own cooking, so she would have no idea about how the dishes her Indian household served up were made. Eventually curry powder came to be considered a spice in its own right, completely ignoring the infinite varieties and combinations that might be used. Anglo-Indians might think they were immersing themselves in local culture – like the young East India Company employee above, listening to Indian musicians amongst his European furniture – but they seemed to have no appreciation of the subtleties of the cuisine.

As East India Company officials came back to Britain they brought their taste for curry with them and often they brought their Indian cooks with them. These men had learned to create the first Anglo-Indian cookery style to suit their employers and soon curry began to appear in ordinary household cookery books.

One enterprising India entrepreneur, Sake Dean Mahomed [Sidi Deen Mahomet in some sources], opened the first Indian restaurant in Britain in 1810. I discovered it (or, rather, where it had been) when I was researching for Walking Jane Austen’s London. It was located on the corner of George Street and Charles Street, just North of Portman Square, a fashionable area and one that was home to many retired Anglo-Indians.  The Hindostanee Coffee House even had a smoking room where patrons could smoke hookahs. Despite serving ‘Indian dishes in the highest perfection… allowed by the greatest epicures to be unequaled to any…ever made in England’ the business became bankrupt the following year. Possibly his choice of location was unfortunate and many of the Anglo-Indians could eat curry at home made by their own Indian cooks or they preferred to combine business with curry by patronising the various City coffee houses that served curry alongside English food. Norris Street Coffee House on Haymarket had been serving curry since 1773 when its ‘Mistress’ advertised in The Public Advertiser ‘true Indian curey paste.’ ‘At the shortest Notice [she would send] ready dressed Curey and Rice, also Indian Pilaws, to any Part of the Town.’ East India Company merchants had created almost a club for themselves at the Jerusalem Coffee House on Cornhill. No specialist Indian restaurant appeared again in Central London until the 1920s.

Sake Dean Mahomed (right. Painted by Thomas Mann Baines c.1810) had far more success with his bathing establishment in Brighton. “Mahomed’s Baths. These are ascertained [sic] by a native of India, and combine all the luxuries of oriental bathing. They are adapted either for ladies or gentlemen, and the system is highly salutary in many diseases, independently of the gratification it affords, particularly to those who have resided in the East.”  [W. Scott. The House Book or Family Chronicle of Useful Knowledge (1826)] The ‘luxuries of oriental bathing’, I learned when I was researching for The Georgian Seaside, included shampooing – not of the head, but of the whole body in a foaming massage.

The Epicure’s Almanac (1815) has a section on seasonal foods and for July mentions that ‘various preparations of curry afford a delectable repast to those who have acquired a taste for this Indian diet.’ Ready-made curry powder could be bought alongside other spices and was first mentioned in Hannah Glasse’s Art of Cookery (1747).

Here is a recipe for curry made with curry powder from The New London Family Cook (1811) by Duncan McDonald, head cook at the Bedford Tavern and Hotel, Covent Garden. The Bedford Tavern and Hotel was a large establishment on the Great Piazza. It opened in 1726 and continued in business throughout most of the 19th century.

And this is from A New System of Domestic Cookery (1807)

curry 2

curry 3 For a fascinating history of Europe’s love affair with curry, try Lizzie Collingham’s Curry; a biography (2005).

 

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Blowing a Cloud

People have been smoking tobacco in Britain since the late 16th century and for most of that time they were using clay pipes to do it. Clay tobacco pipes are a huge study in themselves with learned societies devoted to tracing their manufacturers and the evolution of the various types, but in their day they were virtually as disposable as a cigarette end. I dig them up in my garden occasionally – my house is built on an old farmyard site  – and here are two. The larger, with a shamrock stamped on it is Victorian, the smaller from a time when tobacco was more expensive and bowls were smaller, is 18th century.

The Victorian bowl has a maker’s stamp on it from Stoke on Trent, one of the major centres for pipe manufacture, although they were made anywhere there was a pottery industry. There are still some clay pipe makers around today producing them for film and TV productions and for clubs, but the industrial scale manufacture ended as late as the 1950s.

You can still visit a clay pipe factory preserved as it was the day the workers put down their tools for the last time in 1957. The Broseley Pipeworks in Shropshire is now one of the Ironbridge Gorge museums and pipe making began on the site in the 17th century. The factory is housed in converted cottages which adds even more to the atmosphere. In the view of the yard you can see the pile of clay in the shed at the back, waiting to be transformed into pipes by a method that was unchanging for hundreds of years. On the other side of the yard was the oven where the pipes, stacked into containers called saggars (then was actually an occupation of ‘saggar-maker’s bottom knocker’, but that’s for another day…), were fired.

 

 

 

 

 

Inside the dusty space are moulds for the long-stemmed ‘churchwarden’ pipes, like those the gentlemen at the top of the post are smoking. The long stem gave a cooler smoke, but they were easily broken. Prints depicting working people often show them smoking pipes with only a stub of a stem so they could safely keep them pipe in their mouths while they worked. One mould, opened out, is on the front bench. The device on the rear bench with the long handle is the press for hollowing out the bowl of the pipe.

By the 19th century a huge range of pipes with novelty bowls were produced, from erotic (ladies’s legs) to political. The Pipeworks contains showcases of hundreds of different models. The popularity and availability of cigarettes finally killed off the clay pipe but for hundreds of years tens of thousands were turned out. In an inn a customer could order a pipe along with his ale and lead tobacco boxes were provided on the tables for communal smoking. The lead kept the tobacco moist and they contained a weight-plate inside to press it down. They are scarce now – many got knocked off pub tables and the soft lead was damaged on stone floors – but I own a dozen or so. This example, complete with its internal plate and a wonderful lid covered in grape vines, shows crossed churchwarden pipes on its side.

 

 

 

 

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