Category Archives: Love and Marriage

St George’s Hanover Square – and Its Remarkable Neighbour, Trinity Chapel

 

A marriage between the aristocratic hero and his true love in St George’s Hanover Square forms the climax of many a romantic historical novel, and I’ve used that scene myself. The church, completed in 1724, was built to serve the new and expanding residential area between Piccadilly and Tyburn or Oxford Road (now Oxford Street). These handsome streets and squares were a magnet for the upper classes in Society and handsome St George’s was the perfect place to be married or to have your children baptised. The 5th Earl of Jersey, husband of Lady Jersey one of the famous Patronesses of Almack’s, was a churchwarden here, although their marriage was a private one by special licence in their Berkeley Square house.

In a detail from John Roque’s map of 1747 (below) the new church sits with Burlington House to the South and Berkley (as it was then spelled) Square to the South West.

True, it is not in Hanover Square at all, but on the East side of George Street and its position gives the West front a cramped outlook, almost but not quite, looking down Maddox Street. The view at the top of the post (1812, from Ackermann’s Repository) is probably the best angle, then and now.

It is sometimes easy to forget that the occupants of these fashionable squares, great mansions and elegant terraces were serviced by a multitude of tradesmen, servants and labourers, all of whom ‘lived in’ with their employers or set up shop close by or who lodged within easy walking distance of their employment. St George’s was their church too and in between the glamorous christenings and marriages the humbler parishioners were in and out, tying the knot, naming their babies and being buried.

This was brought home to me by discovering my great-great-great grandfather James Wood marrying Mary Baldwin at St George’s. This was a surprise – James was a humble labourer turned chair mender and caner from Berkhamstead in Hertfordshire. What was he doing in London, let alone getting married in Mayfair? Then I discovered that he was a ‘servant’ (no idea what kind) of the Earl of Bridgewater whose country house was at Ashridge, close to Berkhamstead. The Earl had a London home in Albemarle Street (bottom, centre on the map), so presumably James Wood was there serving his employer in some capacity.

After that discovery ancestors marrying or having children baptised at St George’s in the 18th and early 19th century started appearing in large numbers – all from the concentration of piano makers in Marylebone, just North of Oxford Street. Possibly St George’s was seen as an aspirational place to be married because the Marylebone piano key makers, piano string makers, piano striker coverers and occasional dolls’ eyes makers did have other options in the various chapels of ease that had been built to help ease the pressure on the churches in these new and crowded districts.

One of those chapels  can be seen on the map on Conduit Street facing up George Street. This was Trinity Chapel and had one of the strangest histories of any London place of worship. A Chapel of Ease was a chapel either built before a parish church was in existence or added later to take the strain in a very large or crowded parish. This one started life as a moveable Roman Catholic chapel on wheels used by King James II. After he fled the country in 1688 to be replaced by William and Mary, the chapel was abandoned on Hounslow Heath where James had abdicated. Probably he took mass there in one of his last acts as king. It was transported to Conduit Street and turned into an Anglican Chapel of Ease on the initiative of Archbishop Tenison. Later it was acquired by bookseller and High Bailiff of Westminster James Robson, who had it demolished and rebuilt in brick, but because it was on leasehold land it was not eligible to be a parish church, hence the need for St George’s to be built. Unfortunately no images of the remarkable ‘traveling tabernacle’ seem to have survived and Trinity Chapel was demolished in 1875, the owner of the ground having decided that secular buildings would be more profitable.

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Filed under Architecture, Buildings, courtship & marriage, High Society, Love and Marriage, Religion

A Ceremony Never Omitted Among the Vulgar

letter-on-balcony

“It is the ceremony…never omitted among the vulgar, to draw lots, which they term Valentines, on the eve before Valentine Day. The names of a select number of one sex are, by an equal number of the other, put into some vessel; and after that, everyone draws a name, for the present called their Valentine, and is look’d upon as a good omen of their being man and wife afterwards.” (Bourne Antiquitates Vulgares 1725)

lottery

By “the vulgar” Bourne means the common people, but Valentine’s Day customs appear to have appealed to all levels of society – and nations. In this French fan of the end of the 18th century young women have lots drawn by cherubs for the name of their lovers, each of which has a list of their virtues attached – one young man has none (hence the weeping female in the centre!), one has one virtue and so forth. The luckiest young lady – whose name is Clemence – scoops the jackpot and her lover will be handsome, brave, honourable, true… I found the fan at auction at the same time as I was writing The Piratical Miss Ravenhurst – the heroine of which is called Clemence. Naturally, the hero has to find the same fan in a shop and buy it for her.

John Brand in his Observations on Popular Antiquities (1813) quotes examples of names being drawn for Valentines and also of various ways of divining who your lover will be – for example taking five bay leaves, pining one to each corner of your pillow and one to the middle the night before the 14th and you would then dream of your beloved. The  sending of written Valentines or cards appears to have developed as the postal service improved at the end of the 18th century and the unimaginative male could turn to The Young Man’s Valentine Writer (1792) and copy out one of the sickly-sweet verses it contained.

small-kiss-biggerWhether you picked your bay leaves, sent a card or received a delightful verse – happy Valentine’s Day!

(The little detail of the kissing couple and the naughty young lady at the top of this post are from the French series of prints Modes et Manieres)

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A Tenant For Life – the Georgian Husband

The two illustrations of courtship and the unwanted baby below are details from a fan dated 1797 entitled The Lady’s Advisor, Physician & Moralist which takes a sharp look at everything from spinsters with cats to the unwelcome effects of jealousy.

fan courtship

The image of the courting couple above is captioned  “Look upon or listen to or an object which is agreeable to your mind & if you have the least sensibility you will most probably be over head & ears in pickle.” They are going to end up married out of an illusion of love, at least on her side, according to the cynical writer.

However they ended up in wedlock, most Georgian husbands probably liked to think of themselves as ‘the Cove of the Ken’ – the master of the household, according to the slang dictionaries – but that might not be how their wives, or other men (including their fathers in law), saw them.  Wives acquired a ‘tenant for life’, and he might acquire a ‘petticoat hold’ on her fortune or, if he had a generous father-in-law he might receive ‘hand-basket portions’ or gifts from him.

But what if she has a lover, thus rendering him a cuckold? If he’s an old man with a young wife she might well have a ‘court of assistants’ who ensure that he is wearing ‘the bull’s feather’ and ‘horn mad’ with jealousy. Or she might be a nag – a ‘buttock and tongue’ – and the poor man lives ‘under the cat’s foot’ ‘in Queen Street’. He might then turn to drink, although if she is tolerant she might accompany him to the alehouse which makes him a ‘freeholder’ although if she marches down there to drag him out he will have been ‘arrested by the white sarjeant.’

He could, of course, be very happy with his ‘comfortable importance’, his ‘lawful blanket’ or his ‘rib’ but he might be ‘flying the kite’ with his mistress and if that leads to rows he might ‘divide the house’ with his wife, giving her the outside while he keeps the inside – and the front door key. Certainly someone turning up with a baby to lay at his feet would result in a serious rift, as in the scene below, captioned ‘The Unwelcome Present.’ the husband, looks very shifty as the old lady presents him with his child – and his wife is giving him a decidedly frosty look. Or perhaps she is simply appalled at what he is wearing.

baby

Of course the Georgian husband might be delighted with the arrival of babies – brats, chips, squeakers or bantlings – and I will leave you with this picture of domestic bliss – the happy father pulling his two youngest children in a ‘shay’ up Highgate Hill on a pleasure outing accompanied by his lovely wife and his son. Doesn’t he look happy with his lot in life?

Highgate

The Highgate Hill print is from a book of satirical verse, Takings, or the Life of a Collegian by R. Dagley (1821).

Lots more slang and cant may be found in Regency Slang Revealed

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The Earl of Wittering Goes to the Seaside: Part 11 Porrett Saves the Day!

The Georgian SeasideThe Earl of Wittering, his wife, son and daughter in law and grandchildren are all at the theatre, accompanied reluctantly, by Porrett the Earl’s secretary who is in the throes of a violent, whispered quarrel with his granddaughter, Emily.

‘I love you, Frederick!’ says Emily, her declaration covered in the shrieks from the stage where the melodrama put on by the touring company is reaching its climax with bodies strewn in all directions.

theatre

‘You cannot,’ he whispers miserably. ‘Look at the play – it was a wild success in Chichester.’

‘I don’t care if that is Mrs Siddons out there,’ Emily snaps. ‘Do you mean you do not love me?’

Poor Porrett – to do the honourable thing is to lie. ‘Of course I love you,’ he admits miserably. He cannot lie to his beloved even though, as a gentleman, he should. ‘And it can never be. Your grandfather is the Earl, my employer…’

‘Do not be so feeble,’ Emily says, almost in tears. ‘Tell them all how you feel, ask for my hand!’

‘No,’ says Porrett, resolute in his anguish. ‘I cannot.’ The villain stabs the hero on stage and then falls on his own sword. Porrett knows how he feels. ‘You deserve better.’

Emily makes a sound like a furious kitten and turns her shoulder to him. In the interval her father, the Viscount Ditherstone, announces his intention of taking out a pleasure boat and having a family picnic further along the coast.

‘The fishermen expect high winds tomorrow, my lord,’ Porrett, points out. ‘It might be safer to leave it for another day.’

‘Oh, don’t be such a coward,’ says Emily, nose (somewhat pink) in the air. ‘Papa knows all about sailing, don’t you Papa?’

The Viscount, who has spent two days being seasick on a friend’s yacht ten years ago, smirks ‘No need, for you to concern yourself, Porrett. My father will want you to do some work, I’ll be bound. You needn’t be nervous about getting your feet wet.’

Porrett is still smarting from Emily’s disdain the next morning and indeed, the weather looks set fair as everyone except himself and the Earl set out with picnic hampers to hire a small sailing boat. His last-minute plea to Emily to stay behind was met with a reproachful look and a muttered accusation of not having the courage to stand up to Papa for her sake.

But by midday, as he looks out of the window yet again instead of taking the Earl’s dictation , he sees the black clouds boiling up from the west. The wind is beginning to snap the flags along the promenade. ‘My lord, I have the gravest apprehension about the safety of the sailing party. I should hire a boat and go after them.’

The two men run to the harbour and Porrett hails a pair of fishermen who are just tying up. At first they refuse to take him out, but the sight of the banknotes the Earl is brandishing changes their mind. With Porrett clinging grimly to the mast they set sail. By the time they reach the stretch of coast the Viscount intended to land at for the picnic they see no sign of the boat – but then Porrett spots a slim figure on the shore waving a handkerchief. Emily! And, ‘There’s the boat, sir!’ cries a fisherman and, sure enough, mastless, the little sailing boat with a green-faced Viscount clinging to the thwarts, is just before them. They grapple it and haul him aboard – when he attempted to take the party off again in the face of the rising wind, he was washed out to sea, the mast snapped and the ladies and young Arthur were left stranded on the beach, trapped between the cliffs and the rising tide.shore

Porrett does not hesitate, he leaps into the fishing smack’s rowing boat, casts off and rows for shore. It is rough, dangerous and he is exhausted, but he makes it to land, runs onto the beach, helps the Viscountess and young  Arthur in, then takes Emily in his arms, kisses her passionately and wades into the sea to set her gently into the little craft. He feels he could swim back, he is so elated, but he rows back to the smack and is disconcerted when the Viscountess throws her arms around his neck and kisses him, declaring that he is their saviour, their Galahad, their knight in shining armour. Emily just sits and gazes at him with tears in her eyes. When they reach the jetty the Earl, with a look on his face that promises retribution later for his feckless son and heir, hurries his womenfolk and grandson back to the lodgings. Porrett is left to trudge, wet and exhausted, behind.

He is disconcerted to discover a note commanding him to attend the ball at the Assembly Rooms that evening, wishing instead that he could just put his feet up and nurse his broken heart in decent privacy. But an order is an order. He comes down to join the family in the drawing room and, to his amazement, the Earl embraces him warmly, hails him as a hero and announces that he has secured him an influential post in the Home Office. ‘You’ll need it to keep my little Emily in the manner to which she has become accustomed,’ he announces. ‘I’ve had my eye on the pair of you and you, young Porrett, have the makings of a great man about you. More than my clodpole of a son,’ he murmurs in the stunned secretary’s ear. ‘Well, get on and ask her, don’t stand there like a looby.’

So Porrett finds his voice and, in front of the entire family, goes down on one knee and begs Emily for the honour of her hand in marriage. And Emily, throws her arms around him the moment he stands up (almost knocking him flat), bursts into tears and declares that no-one was ever such a hero as he is.

So off they go to the ball. You can see them just slipping off to the terrace (which leads to the gardens) in the far left of the picture. Sometimes Porrett is not quite such a saint as the Earl believes him to be…

ballroom

Pleasure boats were an essential part of the Georgian seaside holiday, but accidents were not at all uncommon, including one Margate party who were tossed around at sea for more than 24 hours before being rescued – no mobile phones, no life jackets…

You can find out more about the perils of the seaside, the Assembly Rooms, the theatres and their travelling companies of players, or, in fact any aspect of the life of the coastal resorts before the railways came in The Georgian Seaside.

 

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Filed under Accidents & emergencies, courtship & marriage, Dance, Entertainment, High Society, Love and Marriage, Seaside resorts

A Most Scandalous Lady

When I was researching Knightsbridge for my last post I came to Kingston House (shown below in a Victorian print) and read about its extraordinary first owner, Elizabeth Chudleigh. I write historical romances, but I would never dare attempt a plot with anything like the story of her romantic life – no-one would believe it for a moment!

Kingston House

Elizabeth (c1720-1788) was the daughter of Colonel Sir Thomas Chudleigh who had a number of influential friends, including the Prime Minister, Sir Robert Walpole. Perhaps it was due to his good offices that she became a maid of honour to the Princess of Wales, wife of Frederick, Prince of Wales and mother to George III.

At court she met and became engaged to the Duke of Hamilton who promptly departed on the Grand Tour. While he was away Elizabeth met Captain Augustus John Hervey, a son of the Earl of Bristol who fell passionately in love with her. At first Elizabeth did not return his feelings,  but her aunt who favoured the match intercepted the duke’s letters from the continent and eventually Elizabeth, piqued at his apparent neglect, secretly married Hervey in 1744.

Incredibly the couple managed to keep their marriage a secret from the court and their families, even though it soon became apparent that it was not a success. Elizabeth was unfaithful to Hervey, and he probably was to her, and they effectively parted in 1749.

The Duke of Hamilton returned to England from his Grand Tour, still assuming they were engaged and pressed for a marriage date, only to be astounded by Elizabeth’s refusal. However much she might have wanted to marry a duke, she was not, at this point, ready to commit bigamy. Hamilton finally gave up and married one of the beautiful Gunnings sisters.

NPG D1106; Elizabeth Chudleigh, Countess of Bristol after Unknown artist

Elizabeth’s family were furious with her for apparently refusing a duke on a whim, and she left the country for to the court of Frederick the Great where she was very popular. On her return to London the vivacious “Miss Chudleigh” was equally in demand, and enjoyed a very lively social life as the portrait of her in the role of Iphegeia at a masque suggests! (Unknown artist 1749)

“… it has been asserted this lady appeared [at a masquerade] in a shape of flesh-coloured silk so nicely and closely fitted to her body as to produce a perfect review of the unadorned mother of mankind, and that this fair representative of frailty, … had contrived a method of giving as evident tokens of modesty, by binding her loins with a partial covering, or zone, of fig-leaves.” (The Life and Memoirs of Elizabeth Chudleigh. 1788)

But Elizabeth was still stuck with her secret husband and it is said that she eventually tore the leaf out of the church register where the marriage was recorded and bribed the clerk to say nothing. At which point her husband unexpectedly became Earl of Bristol so she bribed the clerk again and returned the page to the register!
At this crucial point she fell in love with the Duke of Kingston and became his mistress. Kingston and Bristol agreed between them that Bristol would relinquish all claims to Elizabeth and a marriage was performed on March 6th 1769 between the Duke of Kingston and Elizabeth – despite her first husband being very much alive and no divorce having taken place.
For years they lived as man and wife at Kingston House. Elizabeth became a leader of fashion, but in 1773 the duke died and she travelled to Italy. While she was away a Mrs Craddock, a witness to the true marriage, turned up at her solicitors and proceeded to blackmail the “Duchess”. When no money was forthcoming Mrs Craddock went to the Duke of Kingston’s family and all hell broke loose.

L0023717 Elizabeth Chudleigh, Duchess of Kingston, attending her tria

[Elizabeth Chudleigh, Duchess of Kingston, attending her trial. Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org. Etching 1776 by John Hamilton Mortimer. Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/ ]

Proceedings were brought and Elizabeth returned home to face trial for bigamy. The case began on April 15th 1776 and she was, unsurprisingly, found guilty. At the time the penalty for bigamy was transportation or imprisonment, but Elizabeth claimed the privileges of a peeress and was discharged without sentence.
But her “in-laws” were still in hot pursuit of the property she had acquired from the duke on his death and she knew she had to leave the country. She kept her planned flight a secret, even going to the lengths of inviting a large number of people to a dinner party on the night in question. They arrived to find Kingston House empty.
Elizabeth lived in Calais for a while, then moved to Paris under the protection of the king’s brother. She was residing there when her lawyers told her that a suit concerning an estate she had bought with the duke’s money had been found against her. She flew into such a furious fit of temper that she burst a blood vessel and died on August 26th, 1796. Perhaps a fitting end to such a tumultuous life!

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Electrical Sparks, Icy Draughts and Pendulous Parts – Dr James Graham and the Celestial Bed

Catherine MacauleyPopular science has always attracted the gullible and those who prey on them and a combination of sex and science is an almost infallible recipe for making money. Or so the notorious Dr James Graham thought – and for a few years he was proved right.
Graham studied medicine in Edinburgh where he was born in 1745 and, although he does not appear to have taken the examinations, began to style himself Doctor. He sailed to Baltimore in 1769 where he encountered the new craze for electricity – Philadelphia was full of Benjamin Franklin’s lightning rods – and began to form his theories for the prolongation of life and vigour.catherine-macauley
On his return to England in 1774 the “doctor” set up a practice in Bristol promoting health, long life and happiness through a regime of healthy living involving eating plenty of fruit and vegetables, taking exercise and ensuring bodily hygiene by the application of quantities of cold water. The basic routine would doubtless be approved by modern doctors and there is no evidence that it did not genuinely help his patients. But Dr Graham’s money-making twist was to add electricity, promoting it as a miraculous aid to long life and health.
He was so successful that he moved to Bath, by which time his approach was gaining a reputation for increasing vigour and especially for improving patients’ sex lives, helping cases of infertility and curing impotence by applying “Effluvia, Vapours and Applications ætherial, magnetic or electric.”
While in Bath he met Mrs Catherine Macauley, a 46 year old widow who was feted for her intellectual activities and egalitarian views. This meeting provided him with a fortuitous piece of PR when his brother, a 21 year old surgeon’s mate, was introduced to the lady and they married almost immediately. The resulting gossip and scandal was a wonderful advert for the older brother’s treatments – here was a middle aged woman who, rejuvenated, could satisfy her lusty young husband. The lady shown in the portrait (above right) would not appear to be someone much amused by such talk.
In July 1780, on the wave of celebrity that the Macauley scandal produced, Graham moved to London and opened the Temple of Health (or Temple of Hymen) in Adelphi Terrace, the hugely fashionable new development by the Adam brothers. (Shown below) Adelphi
The Temple’s centrepiece was a suggestively phallic electrical conductor with a pair of semi-globes attached. The whole place was scented, cunningly lit, luxurious and mysteriously erotic. Electricity was generated by a series of Leyden jars to produce sparks, flashes of lightning and spectacular effects and soon the Temple was hung about, as one visitor observed, with “walking sticks, ear trumpets, visual glasses etc left and placed as most honourable trophies by deaf, weak, paralytic and emaciated persons, cripples etc. who being cured had no longer need of such assistance.”
It proved so successful that Graham opened a second Temple at Schomberg House in Pall Mall with the infamous Celestial Bed, stuffed with wild oats and hair from the tails of, naturally, stallions. Draperies, lights, mirrors, organ music and perfume and the enticements of Vestina, Goddess of Health created an exotic sexual playground. Rumour has it that Emma Hart, later Lady Hamilton, played the role of Vestina, but this is now disputed.
Graham claimed that the bed, surrounded by lodestones or magnets, was an aid to pleasurable sex and the creation of healthy offspring. Charges to use it are said to range from 50 guineas to £100 a night.Celestial Bed
To quote one of his pamphlets, “The venereal act itself, at all times, and under every circumstance, is in fact no other than an electrical operation…those heart-piercing and irresistible glances shooting at critical moments from soul to soul are no other than electrical strokes or emanations.”
Nor was it all luxury. Dr Graham had not lost his enthusiasm for very cold water and recommended washing the genitals in it frequently, especially “…certain parts which next morning after a laborious night would be relaxed, lank, and pendulous, like the two eyes of a dead sheep dangling in a wet empty calf’s bladder, by the frequent and judicious use of the icy cold water, would be[come] like a couple of steel balls, of a pound apiece, inclosed in a firm purse of uncut Manchester velvet.”
For many people these claims fed into popular beliefs about Animal Magnetism and a new interest in the workings of the body. But more critical observers saw through his claims from the start – Horace Walpole remarked it was “the most impudent puppet-show of imposition I ever saw.”
By the 1780s debts and scepticism overcame Graham and he had to sell up. He fled to Edinburgh where he was gaoled for “publishing lascivious and indecent Advertisements & delivering wanton & Improper lectures.”
He gave up his electrical therapies and developed new theories on the virtues of mud baths which he claimed were the secret to immortality. Perhaps influenced by popular tracts on the virtues of sea bathing, which maintained that valuable mineral salts could be absorbed through the skin by immersion, he argued that soaking in mud would allow all the nutrients essential for life to be obtained. He claimed that he himself had lived for two weeks immersed in mud with only a little water to drink. The fact that this would be a miserable existence did not appear to have occurred to him.

SONY DSC
Somehow, by 1786, he was back in London in Panton Street, Soho, with an establishment promoting mud-bathing – demonstrated by semi-naked women.
He became steadily stranger and, in the grip of religious mania, founded “the New Jerusalem Church” which attracted no followers at all. His extreme behaviour escalated and eventually he was arrested in 1793 for persistently stripping off his clothes as he walked and handing the garments to the poor. The unfortunate Dr Graham died soon afterwards at the age of 49.
The connection of electricity, magnetism and sex did not however die out with the disappearance of the Celestial Bed. Harris’s List of Covent Garden Ladies, for example, included Miss Harriet Jones who practised the “Grahamitic method”. She was, apparently, a “desirable bed-fellow who after every stroke gives fresh tone and vigour to the lately distended parts.”
The red brick Schomberg House – without the Bed, unfortunately – can still be seen in Piccadilly on the South side, just past St James’s Palace. (Detail of the front shown right) Later it housed the upmarket and fashionable draper Harding, Howell and Co. (shown below. Ackermann’s Repository 1809)) but there are no reports of any beneficial electrical impulses lingering and the ladies shopping in the fabrics department appear decidedly calm.

Harding, Howel0001

 

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A Flutter of Fans – A Very British Romance?

mid 18thcWatching the first episode of Lucy Worsley’s fascinating A Very British Romance last night I was inspired to look at my collection of 18th and early 19th century fans to see how they treat romantic love.

Fans were not only a practical necessity at hot and over-crowded balls and receptions, but they were also items of high fashion, conversation pieces and even sources of satire. And, of course, what better aid to romance for a strictly-chaperoned young lady who could deploy an entire range of flirtatious gestures with her fan – peeping over the top of it; hiding, then revealing her face; gesturing an invitation or snapping it shut sharply in rejection.

mid 18thcThe earliest – perhaps 1770s – is a simple fan with widely spaced black and white sticks. The leaf is painted on one side only in black, white and grey, with tiny silver sequins sewn through the pattern. The man and woman in the centre have delicate touches of pink on their cheeks, hands and on her bosom. This is a very informal outdoor scene. She is playing a guitar and perhaps singing a romantic song. He is sitting with his legs astride the bank, and raising a small bird to his lips, apparently to kiss its beak. A love bird? From their intense exchange of looks it is quite clear that hers are the lips they would both wish he was kissing.

parkThe most modern (c1818?) is also outdoors. It is a detailed hand-painted and gilded scene set in the parkland surrounding a large country house. The young lady in the centre is gathering flowers which she is collecting in the bonnet which she has casually hung from a bush – perhaps an indication that she would like to shed a few more items of clothing if the right circumstances arose. parkOn the other hand, a lamb, a symbol of innocence, is sitting by her side. A young man, his gun over his shoulder and his ammunition pouch at his side, strides off on the other side of the lake with his dog at his heels. He is off hunting – but what or who? He is certainly very aware of the young lady and I would hazard a guess that she is just as aware of him. No doubt she set out early to compose herself into just this charming and innocent pose for his benefit.

lotteryNow for a fan which I found in circumstances which I can only call romantic, if not downright spooky. I was writing The Piratical Miss Ravenhurst, the last of my Scandalous Ravenhurst series. My heroine was called Clemence – not the most common of English names. I was halfway through the book when I visited an antiques auction and spotted the handle of a fan poking out of a mixed lot of odds and ends. It had no loop on it – an almost infallible sign of an early fan – so I took a quick look and put it back before anyone else saw me taking an interest! In the event I got the whole lot for under £20 and when I had a good look at the fan I could tell it was not only late 18th century, but also French. The scene shows six young women in a lottery for love. The cupids draw a description of the virtues the lover of each will possess, described in very difficult old French in verses around the edge. (I have to thank fellow author Joanna Maitland for the translations!)  Poor Isis is in a hurry to receive her prediction – but her lover will have no virtues whatsoever. The next girl, “Aglaé, le coeur palpitant” – “her heart beating” – is destined for a lover who is articulate, but weak in spirit. Each girl in turn is told of a lover with two, then three, then four virtues. The final young woman is Clémence – my heroine’s name! And not only is her lover going to be handsome but he will surpass her hopes in every way.

Enfin il n’en reste plus qu’en
Il est pour la belle Clémence
Son sort est beau, mais peu commun
Il surpasse son espérence
Dons du Coeur, et dons l’esprit
Vertu, courage et bonne mine
Son amant les a réunit
Elle a gagné le quine.

maximsTo counter all that intense romance I’ll end with a rather more cynical view of life and love with a fan produced in 1797. It was doubtless intended to be a conversation piece. The central text, shown on a fan held up by a fat little Cupid, explains that this is:

“The LADY’S ADVISER, PHYSICIAN & MORALIST: Or, Half an Hours Entertainment at the Expense of Nobody”

It has six scenes around the edge. The four not visible in this view show how to “Catch The Spleen” – devote yourself to cats rather than people and seek out unpleasantness; “How to Avoid It” – enjoy life with a virtuous disposition, honour and moderation; “How to Plague Every-Body” – be dissatisfied with everything, declare war against the whole world and finally “How to Please Most Folks” – “Be just to your Enemy, Sincere to Your Friend, Constant to Your Mistress.”

On the left above is “How To Fall Violently In Love”: “Look upon or listen to an object which is agreeable to your mind & if you have the least sensibility you will most probably be completely over head and ears in pickle.”

On the right is “A Gentle Cure For It”. The young couple are  married now and have been interrupted at the breakfast table by a woman with a child in a basket. The scene has the caption “The Unwelcome Present” and from the expression on the man’s face, and his body language, one assumes this child is a bye-blow of his. The text reads:

“Look upon the Changeableness & natural inconstancy of Mankind, and you will find a Certain remedy, for the cure of your delusion.” Really rather a scandalous scene for a lady’s fan!

maxims

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