Tag Archives: Astley’s Ampitheatre

Two Hundred Years Ago – the Birth of Circus in England?

The Sunday Times newspaper on 7 January mentions the celebrations planned to commemorate the 250th anniversary of Astley’s Amphitheatre as the beginning of circus in England. This reminded me that I own a playbill for Astley’s for November 10th 1813  which features a tightrope act “being  justly allowed the First Performer in the United Kingdom”. The Unparalleled Wilson’s act was complete with Wonderful Somersets (somersaults) and Surprising Leaps. Philip Astley, a six foot tall cavalryman, rose to the rank of sergeant major and left the army in 1768. With two horses he began to give unlicensed shows of horsemanship and riding lessons on open ground in Southwark. According to the London Encyclopedia he obtained a licence with the patronage of George III after subduing an out of control horse near Westminster Bridge. This enabled him to open ‘The Royal Grove’, a canvas-covered ring close to the southern end of Westminster Bridge in 1769. Today if you stand on the bridge and look towards St Thomas’s Hospital on the far bank you can see a patch of trees where the hospital gardens are. This is approximately the location of Astley’s, shown below in 1777.

Astley’s fame spread rapidly and in 1772 he performed before King Louis XV at Versailles. Patty, his wife, was also an accomplished rider. At first she assisted by beating out rhythms on a large drum but she soon joined in with horseback tricks including riding with a “muff” of swarms of bees over her hands and arms. Her husband began to incorporate comedy into his tricks, including his most famous act, The Tailor of Brentford.

As the popularity of his shows increased Astley gathered other acts, scouring fairs and going as far afield as Paris to find good street performers. The shows began to incorporate many of the circus acts we would recognise today – acrobats, jugglers, rope-dancers, clowns, strong men and, of course, the equestrian acts. The arena was roofed by 1780 so that he could continue to give shows year-round.

Astley is credited with discovering that the ideal size for a circus ring is 42 feet in diameter, allowing the optimal use of centrifugal force to keep him on the horse’s back as he galloped round the ring. However, Astley did not use the name ‘Circus’ for his show as this had been appropriated by Charles Dibden whom opened The Royal Circus nearby in 1782, stealing many of Astley’s ideas.

When The Royal Grove was destroyed by fire in 1794 he rebuilt in splendid style, this time calling it Astley’s Amphitheatre. By now it was so established, eclipsing Dibden’s Circus, that he could attract famous performers such as the clown Grimaldi and he added melodramas, comic sketches such as the one entitled ‘Honey Moon’ in the poster and dramatic sword fights. Jane Austen wrote to her sister Cassandra on 23 August 1796 that she had arrived safely in London and that “We are to be at Astley’s tonight, which I am glad of.” Unfortunately there is no letter describing what she saw, but she sends lovers Harriet Smith and Robert Martin to Astley’s in Emma and Harriet “could dwell on it all with the utmost delight.”

As well as the ring  the Amphitheatre had a stage with a proscenium arch linked to it by ramps allowing dramatic gallops from ring to stage. By the time the building was destroyed by fire again in 1803 Astley could afford to rebuild on a far more impressive scale as the print of 1803 [“*57-1633, Houghton Library, Harvard University”] shows.

Astley died in 1814 but the Amphitheatre continued to be wildly popular and would include crowd-pleasing shows recreating the battles of the Napoleonic Wars. Astley also contributed to the development of the circus  by taking shows on tour in the summer months to wooden amphitheatres he’d had constructed throughout Britain and in eighteen cities on the Continent. He died in Paris and is buried there. The 1803 building lasted until a third fire in 1841. Charles Dickens describes it in Sketches By Boz as “delightful, splendid and surprising.” It was rebuilt in 1862 as the New Westminster Theatre Royal, but demolished in 1893.

 

5 Comments

Filed under Entertainment

The Road to Waterloo Week Nine – Mrs Wilmot Flops at Drury Lane, l’Orient Blows Up at Sadler’s Wells & Paris is Flooded By Arms

All the London newspapers began the week by printing long, stolidly indigestible, extracts from the Paris press along with editorial pieces sneering at Napoleon’s attempts at establishing a constitution and reports of arms and ammunition flooding into Paris for the army.
The Times reported that the Duke of Wellington was expected to make his headquarters at Brussels and that he commanded troops in a line from Ostend to Charleroi, but that opinion was very divided on the continent about whether war would – or should – break out. The Duke (shown in a portrait by Thomas Phillips) was reported to be in favour of it.

“Drury Lane Theatre – on Saturday night a most crowded and brilliant assembly were attracted to the representation of a new tragedy by Mrs. Wilmot, a Lady of Fashion, which had been got up with great splendour of decoration and in favour of which there was the most sanguine anticipation. It is a story of the Saxon era of our nation…There were abundant materials for dramatic interest and effect… The plot was pregnant with those high sentiments of honour and gallantry which distinguished our Saxon ancestors… The materials were, in short, ample for the production of a play of great interest but the Lady has rather produced a dramatic poem than a regular drama.” By the third act, despite Mr Kean in the leading role, the audience was getting restless and “the whole of the fifth act passed with the incessant impatience and condemnation.” The unfortunate Mrs Wilmot presumably retired discomforted and the piece was never heard again. The print below shows the fashionable crowd outside the boxes at Drury Lane – and the dashing young ladies hoping to attract one of the dandies on the strut there.

Drury Lane
Rather more successful productions were attracting audiences elsewhere. Astley’s Royal Amphitheatre was featuring a “new serio-comic equestrian pantomime called the Life, Death & Restoration of the High-Mettled Racer; or Harlequin on Horseback. In the course of 21 interesting scenes will be introduced a Real Horse Race and a Real Fox Chase.”
Sadler’s Wells, which had been showing a recreation of the Battle of the Nile “on real Water” had now, presumably reflecting the popular mood, added more ships and the “blowing up of l’Orient” along with an illuminated transparency of Nelson.
On Saturday 29th Generals Ponsonby and Bing, along with their horses, embarked at Ramsgate on the “Duke of Wellington” for Ostend. Colonel Smith’s F Troop of Artillery had also arrived at Ramsgate and were expected to embark on the next tide.
On which note, with the artillery bound for the continent, I will mention the trilogy of Waterloo novels – Brides of Waterloo – which I have written with two fellow authors. They are available for pre-order now. The first, A Lady For Lord Randall, by Sarah Mallory, will come out in May. A Mistress for Major Bartlett, by Annie Burrows, is due in June and my book, A Rose for Major Flint, comes out in July. The novels are linked by their heroes – all artillery officers – and the timeframe runs from several weeks before the battle until several weeks afterwards. Waterloo books

Leave a comment

Filed under Battle of Waterloo, Entertainment, High Society, Historical Romance, Napoleon, Wellington