Tag Archives: Foundling Hospital

Perambulations Through Late Georgian London or, All the Best Sights in One Week. Day Seven

It is Sunday, the final day of the week-long itinerary laid down by Mr Whittock in his Modern Picture of London.

Attend divine service in the morning, at the Foundling Hospital;

I have blogged about the founding of the Hospital here. Attending services at various charitable institutions was fashionable and was encouraged by the patrons as a means of attracting financial support. The children would be trained as a choir to enhance the experience and the high-point of the year was the performance of Handel’s Messiah which he had donated to the Hospital. The print from The Microcosm of London (c. 1810) shows a service in the magnificent chapel.

then ride in the omnibus to the Edgware Road.

I am not clear why Mr Whittock suggests this. It would be a long walk to reach Hyde Park and the Edgware Road would hold no sights of any interest.

Promenade in Hyde Park.

On a fine day this would have been a very respectable activity for the Sabbath. Families would be out strolling or driving over the very considerable expanse of parkland or beside the Serpentine or the Long Water in the adjacent Kensington Gardens. This print of 1804 shows ‘The Entrance to Hyde Park on a Sunday’ and gives an impression of just how popular it would have been, although I suspect that behaviour by the 1830s would have been more sedate.

Dine at home

 in the evening, attend divine service at the Magdalen Hospital.

The Magdalen Hospital for the Reception of Penitent Prostitutes, to give it its full title, was established in 1758 to reform women below the age of thirty who had become sex workers. They were given religious education and taught laundry work and needlework. It moved to purpose-built premises on Great Surrey Street (now Blackfriars Road) in Southwark in 1772. This was quite close to the other philanthropic institutions our tourists visited on Monday.

Its octagonal chapel became a fashionable place of worship. Unlike the Foundling Hospital where the children in their uniforms were very visible, the inmates’ choir was hidden behind a screen, which cannot have done much for their self-esteem. Perhaps the intention was to prevent male visitors from preying on the young women.

In the 1860s the establishment moved to Streatham, eventually becoming an Approved School in 1934. Incredibly the phrase “for the reception of Penitent Prostitutes” was not removed from its official name until 1938.

The week has now terminated, and the stranger that has visited all the places, in the order laid down for him, will have seen every part of the metropolis, and all the principal objects. He will find that ample time has been allowed for a cursory view of most of the curiosities.

I hope you have enjoyed exploring Georgian London as it teetered on the  edge of the Victorian age, even if, as Mr Whittock says, we have only had time for a ‘cursory view’ of many of the sights.

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The Foundling Hospital

Although the prints in this post are much earlier, the Foundling Hospital would have been well known – and in fact a fashionable place to visit – right through the 19th century. It was founded in 1742 by the man in the portrait below, Captain Thomas Coram, master mariner and shipwright, who was appalled by the plight of the homeless children he saw on the streets of London when he came there to live.

thomas-coram

Coram worked hard for almost twenty years to alleviate the plight of orphaned children, or those abandoned by their parents “to die on a dunghill” before he secured sufficient support from ladies of “Nobility and Distinction” to provide a permanent home for them and a charter from George II in 1739.

After an unsatisfactory beginning in Hatton Garden a large plot – 56 acres – was bought in Lamb’s Conduit Fields, then open fields close to the road to Hampstead and Highgate villages. Work began on a grand hospital to the designs of Theodore Jacobsen and the first children – the boys – moved into the east wing in 1742. The west wing, for the girls, was ready by 1745.

foundling-hospital

The image above is a detail from “A View of the Foundling Hospital” published soon after the building was finished. Such magnificence might seem a waste of money that could have been better spent, but it was essential to attract the patronage of as many fashionable and wealthy people as possible and this fine and eminently respectable building became not only a place to visit but also one of worship in its chapel. Hogarth, and then other major artists, contributed paintings which were also an attraction to visitors who, once they were inside, could be solicited for donations.

Handel was another major benefactor. He donated an organ in 1750, gave concerts there, trained the choir and raised over £7,000 by performances of his Messiah.

The children were, at first, accepted as and when there was room on a first-come, first-taken basis but this proved unworkable because the numbers seeking admission were simply too great. Instead it became a lottery with mothers drawing a ball from a bag. White gave the child immediate admittance, providing they passed a medical exam, red put them on a waiting list and black was rejection. Amongst the most harrowing objects to see in all of London are in the collection of tokens mothers left with their child in the faint hope that one day they could come back to claim them. You can find out more about them at the Foundation’s website.

Once the children reached the age of fourteen they were apprenticed, joined the army or were found positions as domestic servants. Only  tiny handful were ever reunited with their mothers.

In 1926 the hospital moved to Redhill and then to Berkhamsted in Hertfordshire, where its buildings are now Ashlyns school. A smaller building was put up on part of the site and it retains one of the staircases and many of the furnishing and paintings from the original. Even part of the perimeter wall and gates can still be seen – have a look on StreetView at the junction of Guilford Street and Guilford Place, looking north, and you will recognize the centre front feature in the print above, although without its ironwork.

 

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